ecoartscotland library as bing

Installation views (Photos: Fergus Connor)

ecoartscotland library as bing was installed as part of the ‘Staff Outing 2‘ exhibition in the LookAgain Space in Aberdeen 15 October – 13 November 2022. Below is a list of the books in the ecoartscotland library used in the installation.

Adams, C., Montag, D. (Eds.), 2015. Soil Culture: Bringing the Arts Down to Earth. CCANW/Gaia Press, Totnes, Devon.

Aldiss, B., 1965. Earthworks. Faber & Faber, London.

Alexandroff, N., Allan, P., Asinyabi, A., Bryant, M., Darmour-Paul, M., Lyons, K., Rullman, H., Sandeman, I., Smith, H., Solón, P., Ssemwogerere, D., Whiteley, R., 2022. Cooking Sections: Offsetted, Zeitgenössische Kunst. Hatje Cantz Verlag, Berlin.

Allen, F., Rosler, M., Siekmann, A., Żmijewski, A., Durham, J., Fraser, A., Helguera, P., Kaprow, A., Sekula, A., Verwoert, J., Andrews, J., Albers, A., Althamer, P., Bruguera, T., Gillick, L., Hirschhorn, T., Perjovschi, L., Riley, B., Whitechapel Art Gallery (Eds.), 2011. Education, Documents of contemporary art. Whitechapel GalleryMIT Press, London/Cambridge, MA.

Araeen, R., 2012. Art beyond art: ecoaesthetics: a manifesto for the 21st century, Third Text Publication. Third Text Publ, London.

Araeen, R., Aikens, N., Esche, C., 2017. Rasheed Araeen. JRP Ringier, Zürich.

Armstrong, J., Lakind, A., 2019. Becoming Botanical. Objet-A Creative Studio, Glasgow.

Armstrong, J., Lakind, A., Adsit-Morris, C., Saeter, R., Hopes, A., Jenson, E., Manero, S. (Eds.), 2021. Becoming-Feral. Object-a Creative Studio, Glasgow, UK.

Athill, D., Heatley, D. (Eds.), 2008. Granta The new nature writing. Granta, London.

Ballengée, B., Triscott, N., Pope, M., 2010. Malamp: the occurence of deformities in amphibians. Arts Catalyst [u.a.], London.

Barbican Art Gallery, 2009. Radical Nature: Art and Architecture for a Changing Planet 1969-2009. Koenig Books, London.

Baruchello, G., Martin, H., 1983. How to imagine: a narrative on art and agriculture. McPherson, New Paltz, NY.

Bateson, G., 1979. Mind and Nature: A Necessary Unity, 2002nd ed. Hampton Press, New York.

Benthall, J. (Ed.), 1972. Ecology: the shaping enquiry: a course given at the institute of Contemporary Arts. Longman, London.

Berger, J., 2009. Why look at animals?, Great ideas. Penguin books, London.

Berry, W., 2017. The World-Ending Fire: The Essential Wendell Berry. Allen Lane, London.

Berry, W., Snyder, G., Wriglesworth, C., 2014. Distant neighbors: the selected letters of Wendell Berry and Gary Snyder. Counterpoint, Berkeley.

Biemann, U., Tavares, P., Eli and Edythe Broad Art Museum (Eds.), 2014. Forest law: = Selva jurídica, First edition. ed. Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, Mich.

Biesta, G., 2017. Letting Art Teach: Art Education ‘After’ Joseph Beuys. ArtEZ Press, Arnhem.

Biserna, E., 2022. Walking from Scores. Les presses du réel, Dijon.

Bleck, N., Dodds, K., Williams, B., 2013. Picturing Transformation: Nexw-Áyantsut. Figure 1 Publishing, Vancouver, B.C.

Bohm, K., James, T., Petrescu, D., 2017. Learn to Act: Introducing the Eco Nomadic School. Aaa/preprav, Paris.

Bonacossa, I., Andrews, M., Mariana, C.L. (Eds.), 2008. Greenwashing Environment: Perils, Promises and Perplexities. Fondazione Sandretto Re Rebaudengo, Turin.

Borasi, G., Zardini, M., Canadian Centre for Architecture (Eds.), 2007. Sorry, out of gas: architecture’s response to the 1973 oil crisis. Canadian Centre for Architecture, Montréal (CDN).

Brady, J. (Ed.), 2016. Elemental: an arts and ecology reader. Gaia Project Press, Fredericton, Canada?

Braungart, M., McDonough, W., 2009. Cradle to Cradle: Remaking the Way We Make Things. Vintage Books, New York.

Burnham, J., 1974. Great Western Salt Works: Essays on the Meaning of Post-Formalist Art. George Braziller, New York.

Byrne, J., Domela, P., 2008. Martha Rosler Library. Liverpool Biennal, Liverpool.

Capra, F., 1997. The Web of Life: A New Synthesis of Mind and Matter. Flamingo, London.

Centro di cultura contemporanea Strozzina (Ed.), 2009. Green platform: arte, ecologia, sostenibilità = art, ecology, sustainability, 1. ed. ed. Centro di cultura contemporanea Strozzina, Fondazione Palazzo Strozzi : Moleskine, Firenze.

Chan, G., García-Dory, F. (Eds.), 2011. Dream farms: = Traumfarmen, 100 notes – 100 thoughts. Hatje Cantz, Ostfildern.

Clark, T.A., 2008. Of Woods and Water. Moschatel Press.

Coates, M., Finlay, A., Wallinger, M. (Eds.), 2005. Journey to the lower world: a shamanic performance by Marcus Coates after a traditional Siberian Yakut ritual for the residents of Sheil Park, Liverpool, in January 2003, Bookscapes. Platform Projects, Newcastle-upon-Tyne.

Collins, T.M., Goto-Collins, R., 2020. Deep Mapping: Lough Boora Sculpture Park. Offaly County Council, Offaly Tullamore, Ireland.

Cox, R., Monem, N. (Eds.), 2011. Dirt: the filthy reality of everyday life, 1. publ. ed. Profile Books in association with Wellcome Collection, London.

Cravero, C., Andreone, F., Ballengée, B. (Eds.), 2010. Praeter naturam: Brandon Ballengée: PAV art program 2010. Eventi & Progetti Ed, Biella.

Creates, M., 2015. Brickle, Nish, and Knobbly. Boulder Publications, Canada.

Cutts, S., 1987. The Unpainted Landscape. Coracle Press/Scottish Art Council/Graeme Murray Gallery, London and Edinburgh.

Damon, B., Goodall, J., 2022. Water talks: empowering communities to know, preserve, and restore their waters, 1st ed. Portal Books, Hudson.

Dean, A.O., Hursley, T., 2002. Rural Studio: Samuel Mockbee and an architecture of decency, 1st ed. ed. Princeton Architectural Press, New York.

Denes, A., 2008. The Human Argument: The Writings of Agnes Denes. Spring Publications, Thompson, Connecticut.

Diederichsen, D., Haus der Kulturen der Welt Berlin (Eds.), 2013. The Whole Earth: California and the Disappearance of the Outside; [… from April 26 to July 1, 2013, Haus der Kulturen der Welt, Berlin], 2. ed. ed. Presented at the Ausstellung The Whole Earth. Kalifornien und das Verschwinden des Außen, Sternberg Press, Berlin.

Dion, M., Fend, P., Peterman, D., David and Alfred Smart Museum of Art (Eds.), 2001. Ecologies: Mark Dion, Peter Fend, Dan Peterman. David and Alfred Smart Museum of Art, University of Chicago, Chicago.

Drury, C., Syrad, K., 2015. Exchange. Cape Farewell & Little Toller Books, London/Dorset.

Newling, John, 2020. Ecology works. Beams Editions, United Kingdom.

Elliott, P., Hare, B., Wilson, A., Scottish National Gallery of Modern Art, Boyle Family (Eds.), 2003. Boyle Family: … exhibition Boyle Family held at the Scottish National Gallery of Modern Art from 14 August to 9 November 2003. National Galleries of Scotland, Edinburgh.

Ellsworth, E., Kruse, J. (Eds.), 2013. Making the geologic now: responses to material conditions of contemporary life. Punctum Books, Brooklyn, NY.

Evans, G., Robson, D., 2010. Towards re-enchantment. Artevents, London.

Farquhar, A., 2005. The Storr Unfolding Landscape New Perspectives on Scotland’s Land and Culture. Luath Press, Edinburgh.

Feenstra, W., Schiffers, A., (Eds.), 2011. Images of farming. Jap Sam Books, Heyningen.

Ferry, R., Monoian (Eds.), 2016. Land Art Generator Initiative. Powering Places: Santa Monica. Prestel, Munich, London, New York.

Ferry, R., Monoian, E. (Eds.), 2014. New Energies: Copenhagen. Prestel, Munich, London, New York.

Ferry, R., Monoian, E. (Eds.), 2013. Regenerative Infrastructures: Freshkills Park, NYC. Prestel, Munich, London, New York.

Fiedler, A., 2007. George Steinmann: Blue notes [Ausstellung im Helmhaus Zürich, 2. Februar – 1. April 2007]. Verlag für Moderne Kunst, Nürnberg.

2013. Fieldnotes. The Finnish Society of Bioart, Helsinki.

Finkelpearl, T., 2013. What we made: conversations on art and social cooperation. Duke University Press, Durham ; London.

Finlay, A., 2008. Mesostic remedy. Morning Star, Newcastle.

Fitzpatrick, E., 2008. The Art of Living. Aye Aye Books, Glasgow.

Fortune, B. (Ed.), 2014. Edge Effect: Art & Ecology in the Nordic Landscape. Half Letter Press, Chicago.

Fournier, A., Whitney Museum of American Art, Kitchen Center for Video, Music, Dance, Performance, Film, and Literature (New York, N.Y.) (Eds.), 2010. Undercurrents: experimental ecosystems in recent art. Whitney Museum of American Art ; Distributed by Yale University Press, New York : New Haven.

Fowkes, M., 2015. The Green Bloc: Neo-avant-garde Art and Ecology under Socialism. Central European University, Budapest.

Fowkes, M., Fowkes, R., 2022. Art and climate change, World of Art. Thames & Hudson, London ; New York.

France, R.L. (Ed.), 2005. Facilitating watershed management: fostering awareness and stewardship. Rowman & Littlefied Publishers : Distributed by National Book Network, Lanham.

Frémeaux, I., Jordan, J., 2021. We are “nature” defending itself: entangling art, activism and autonomous zones, Vagabonds. Pluto Press, London.

Friends of the Earth, Friends of the Earth International (Eds.), 1972. The Stockholm Conference. Only one earth. An introd. to the politics of survival. Presented at the Conference Only One Earth, Earth Island, London.

Gablik, S., 1991. The Reenchantment of Art. Thames and Hudson, New York.

Gablik, S., 1984. Has Modernism Failed? Thames & Hudson, London.

García-Antón, K., Gaski, H., Guttorm, G., Office for Contemporary Art Norway (Eds.), 2020. Let the river flow: an indigenous uprising and its legacy in art, ecology and politics, Verksted. OCA, Office for Contemporary Art Norway, Oslo.

Geffen, A., Rosenthal, A., Rahmani, A., Fremantle, C. (Eds.), 2022. Ecoart in Action: Activities, Case Studies and Provocations for Classrooms and Communities. New Village Press, New York.

Georgia, O., Conte, K., Hatfield, B., Poole, J., Nagle, R., 2002. Fresh Kills: Artists respond to the closure of the Staten Island Landfill. Snug Harbor Cultural Center, New York.

Gooding, M., 2006. Herman de Vries: chance and change. Thames and Hudson, London.

Grande, J.K., 2019. Art, space, ecology: two views, twenty interviews. Black Rose Books, Montréal ; New York.

Grande, J.K., 2007. Dialogues in Diversity: Art from Marginal to Mainstream. Pari Publishing, Grosseto.

Grande, J.K., 2004. Art Nature Dialogues: Interviews with Environmental Artists. SUNY Press, Albany.

Grande, J.K., 1994. Balance: Art and Nature. Black Rose Books, New York.

Griffith, D., 2014. Imagining Natural Scotland. Creative Scotland/Scottish Natural Heritage, Edinburgh.

Hackett, B. (Ed.), 1977. Landscape reclamation practice. IPC Science and Technology Press, Guildford, Eng.

Haeg, F., 2013. Wildflowering L.A. LAND, Los Angeles, Calif.

Haraway, D., 2016. Staying with the Trouble: Making Kin in the Chthulucene. Duke University Press, Durham and London.

Harrington, L., 2015. Haggs and High Places. New Writing North, Newcastle upon Tyne.

Harrison, H.M., Harrison, N., 2016. The Time of the Force Majeure: After 45 Years Counterforce is on the Horizon? Prestel, Munich, London, New York.

Harrison, H.M., Harrison, N., 2001. Knotted Ropes, Rings, Lattices and Lace: Retrofitting Biodiversity into the Cultural Landscape, in: Barthlott, W. (Ed.), Biodiversity: A Challenge for Development, Research and Policy. Springer-Verlag, Berlin.

Heim, W., Margolies, E. (Eds.), 2014. Landing Stages: Selections from the Ashden Directory of Environment and Performance 2000-2014. Crinkle Crankle Press, London.

hooks, bell, 1994. Teaching to Transgress: Education as the Practice of Freedom. Routledge, New York.

Hovi-Assad, P., Kunnas-Holmström, K., Grande, J.K., Porin taidemuseo (Eds.), 2012. Eco-Art: 04.02.-29.05.2011, Porin taidemuseon julkaisuja, Pori Art Museum publications ; Björneborgs konstmuseums publikationer. Pori Art Museum, Pori.

Huikari, O., 2012. The miracle of trees. Wooden, Glastonbury.

Huleileh, S. (Ed.), 2007. Sharjah Biennial 8. P. 2: Still life: art, ecology & the politics of change; [Sharjah Biennial 8, April 4- June 4,2007] / [catalogue ed.: Serene Huleileh]. Presented at the Bīnālī aš-Šāriqa, Sharjah Biennial, Sharjah, Unit. Arab Emirates.

Hunter, J., 1995. On the other side of sorrow: nature and people in the Scottish Highlands. Mainstream, Edinburgh.

Ingersoll, K.E., 2016. Waves of knowing: a seascape epistemology. Duke University Press, Durham ; London.

Innes, E., 2018. Notes from the Land. Robert Gordon University, Aberdeen.

Irland, B., 2017. Reading the River: the ecological activist art of Basia Irland. Museum De Domijnen, Sittard.

Irland, B., 2007. Water Library. University of New Mexico Press, New Mexico.

Jack, I. (Ed.), 2005. The view from Africa, Granta. Granta, London.

Jacob, M.J., 2018. Dewey for Artists. University of Chicago Press, Chicago and London.

Jaque, A., Otero Verzier, M., Pietroiusti, L., Mazza, L. (Eds.), 2020. More-than-human. Het Nieuwe Instituut ; Serpentine Galleries : Office for Political Innovation ; Manifesta Foundation, Rotterdam] : [London] : [Amsterdam?

Johanson, P., 1992. Art and Survival: Creative Solutions to Environmental Problems. Gallerie Women Artists Monographs, Vancouver, B.C.

Kagan, S., 2013. Art and Sustainability: Connecting Patterns for a Culture of Complexity, 2nd ed. Transcript Verlag, Bielefeld.

Kallis, S., 2014. Common threads: weaving community through collaborative eco-art. New Society Publishers, Gabriola, BC, Canada.

Kastner, J. (Ed.), 2012. Nature. Whitechapel Documents of Contemporary Art/MIT Press, London/Cambridge, MA.

Kastner, J., 1998. Land and Environmental Art. Phaidon, London.

Kemp, P., Griffiths, J., 1999. Quaking Houses: Art, Science and the Community – A Collaborative Approach to Water Pollution. Jon Carpenter, Charlbury, Oxfordshire.

Kepes, G., 1972. Arts of the environment, Vision + value series. Aidan Ellis, Henley.

Kester, G., 2005. Ground Works: Environmental Collaboration in Contemporary Art. Carnegie Mellon University, Pittsburgh, PA.

Kimmerer, R.W., 2015. Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants. Milkweed, Minneapolis.

King, A., Clifford, S., Common Ground (Organization) (Eds.), 2001. Trees be company: an anthology of poetry. Chelsea Green Pub. Co, White River Junction, Vt.

Kingsnorth, P., Hine, D. (Eds.), 2012. Dark mountain. Iss. 3. The Dark Mounatain Project, S.l.

Kingsnorth, P., Hine, D. (Eds.), 2010. Dark mountain. Iss. 1. The Dark Mounatain Project, S.l.

Kirksey, E. (Ed.), 2014. The Multispecies Salon. Duke University Press, Durham and London.

Knight, L., 2021. Inefficient mapping: a protocol for attuning to phenomena. Punctum Books, Santa Barbara.

Koch, P.R., Pelts, S., Pollack, D., Gerken, J. (Eds.), 2020. Extraction: art on the edge of the abyss. The CODEX Foundation, Berkeley, CA.

Kolbert, E., 2013. The Sixth Extinction: An Unnatural History. Simon and Schuster, New York.

Laib, W., 1992. Wolfgang Laib. Douglas Hyde Gallery, Trinity College, Dublin.

Lakoff, G., Johnson, M., 1980. Metaphors We Live By. University of Chicago Press, Chicago and London.

Land Art Generator Initiative, UAE (Ed.), 2012. The time is now: public art of the sustainable city. Page One, Singapore.

Latham, J., 2018. Skoob works – John Latham. Lisson Gallery, London.

Latham, J., Hudek, A., Whitechapel Art Gallery (Eds.), 2010. The portable John Latham: occasional papers; [publ. … with Whitechapel Gallery, London, on the occasion of the exhibition John Latham: Anarchive, 2 April-5 September 2010]. Presented at the Exhibition The Portable John Lathan: Anarchive, Occasional Papers, o.O.

Latour, B., Weibel, P. (Eds.), 2020. Critical zones: The Science and Politics of Landing on Earth. MIT Press, Cambridge, MA.

Levene, R., Clinch, M., 2022. Towards a Common Waters Policy. Arts Catalyst [u.a.], London.

Lippard, L., 2014. Undermining: A Wild Ride Through Land Use, Politics, and Art in the Changing West. The New Press, New York and London.

Lippard, L., 2007. Weather Report: Art and Climate Change. Boulder Museum of Contemporary Art, Boulder, CO.

Logan, W.B., 1995. Dirt: The Ecstatic Skin of the Earth. Norton, New York.

Loose, G., 2014. Fault line. Vagabond Voices, Glasgow.

Lopez, B.H., 1989. Crossing open ground, 1st Vintage Books ed. ed. Vintage Books, New York.

Lorde, A., Lorde, A., 2018. The master’s tools will never dismantle the master’s house, Penguin modern. Penguin Books, London.

Macdonald, P., Macdonald, A., 2017. After the storm. Royal Botanic Garden Edinburgh, Edinburgh.

Maclean, N., 2004. A river runs through it: and other stories, 25., anniversary ed., [Nachdr.]. ed. Univ. of Chicago Press, Chicago.

Margulis, L., 1998. Symbiotic planet: a new look at evolution, 1st ed. ed, Science masters. Basic Books, New York.

Marsh, J., Rockman, A., Avery, K.J., Lovejoy, T.E., 2010. Alexis Rockman: a fable for tomorrow. Smithsonian American Art Museum ; In association with D. Giles, Washington, D.C. : London.

Mass, M.O.C.A., 2004. The Interventionists: Art in the Social Sphere. MIT/Mass MOCA.

Matilsky, B., 1992. Fragile Ecologies: Contemporary Artists’ Interpretations and Solutions. Rizzoli, New York.

Mazeaud, D., Gaylor, R.B., Gablik, S., Wortz, M., Armitage, D., 1990. Revered Earth. Center for Contemporary Arts of Santa Fe, Santa Fe, NM.

McGrath, J., 1981. The cheviot, the stag and the black, black oil. Eyre Methuen, London.

McIntosh, A., 2004. Soil and Soul: People versus Corporate Power. Aurum Press, London.

Meadows, D., 2008. Thinking in Systems: A Primer. Chelsea Green Publishing, Vermont.

Metzger, G., Bowron, A., Brougher, K., Rosenthal, N., Museum of Modern Art (Eds.), 1998. Gustav Metzger: catalogue on the occasion of the exhibition Gustav Metzger, Museum of Modern Art, Oxford, 25. October 1998 -10.January 1999. Presented at the Touring Exhibition Gustav Metzger, Museum of Modern Art, Oxford.

Miles, M., 2011. New Practices – New Pedagogies: A Reader. Routledge, Abingdon.

Misrach, R., Orff, K., 2014. Petrochemical America, First paperback edition. ed. Aperture, New York, NY.

Modeen, M. (Ed.), 2013. Invisible Scotland. Moray School of Art Press, Inverness.

Mogel, L., Bhagat, A. (Eds.), 2010. An atlas of radical cartography, 3 print. ed. Journal of Aesthetics & Protest Press, Los Angeles, Calif.

Montag, D., 2007. This Earth. Festerman Press, Falmouth.

Morton, T., 2018a. Being ecological, A Pelican book. Pelican, UK.

Morton, T., 2018b. Dark ecology: for a logic of future coexistence, Paperback edition. ed, The Wellek library lectures in critical theory. Columbia University Press, New York.

Morton, T., 2013. Hyperobjects: Philosophy and Ecology after the End of the World. University of Minnesota Press, Minneapolis and London.

Muzeʾon Tel Aviv le-omanut (Ed.), 1999. Ḥiriyah ba-muzeʾon, Cat. Muzeʾon Tel Aviv le-omanut, Tel Aviv.

Nemitz, B. (Ed.), 2000. Trans plant: living vegetation in contemporary art. Hatje Cantz ; Distributed in U.S. by Distributed Art Publishers, Ostfildern : New York, N.Y.

Newling, J., 2006. Chatham Vines: a project for St John’s Church, Chatham. ArtOffice, London.

Norman, N. (Ed.), 2003. The contemporary picturesque. Book Works, London.

Norman, N., Folkersma, N., Neef, T., Bemont, J., 2012. Nils Norman: eetbaar park = Edible park. Valiz, Amsterdam.

Obrist, H.U., Stasinopoulos, K. (Eds.), 2021. 140 Artists’ Ideas for Planet Earth. Penguin Books, Dublin.

Orion, 2022. Old growth: the best writing about trees from Orion Magazine. Orion Magazine, Great Barrington.

Palmer, L., 2014. In the aura of a hole: exploring sites of material extraction. Black Dog Publishing, London, UK.

Patrizio, A., 2019. The Ecological Eye: Assembling an Ecocritical Art History. Manchester University Press, Manchester.

Pih, D., Bruni, L., Tate Liverpool (Eds.), 2022. Radical landscapes: art, identity and activism. Tate, London.

Pistoletto, M., 2010. Michaelangelo Pistoletto: the third paradise, 1st ed. ed. Marsilio, Venice.

Porcher, B., Dirié, C., Bovier, L., 2012. Piero Gilardi. JRP Ringier Semiose galerie-é́d. Fondazione Centro Studi Piero Gilardi, Zürich Paris Turin.

, 2020. Potential worlds: planetary memories & eco-fictions. Verlag Scheidegger & Spiess, Zurich.

Prigann, H., Strelow, H., David, V. (Eds.), 2004. Ecological aesthetics: art in environmental design: theory and practice. Birkhäuser, Basel ; Boston.

Pujol, E., 2018. Walking art practice: reflections on socially engaged paths, First edition. ed. Triarchy Press, Axminster, England.

Rahmani, A., 2009. What the World Needs is a Good Housekeeper: an Ecological Art Field Guide. Charleston, SC.

Raney, K., 2008. Art and Climate Change, Engage Journal. Engage.

Read, S., 2017. Cinderella River: The Evolving Narrative of the River Lee. Middlesex University, London.

Read, S., Burningham, H., 2022. Debden Soundings. Middlesex University.

Roelstraete, D., Starling, S., 2014. Simon Starling: metamorphology, MCA monographs. Museum of Contemporary Art Chicago and Artbook D.A.P, New York.

Rugoff, R., Corrin, L., 2000. The Greenhouse Effect. Serpentine Gallery, London.

Schama, S., 2004. Landscape and memory, 6. pr. ed. Harper, London.

Scotini, M., 2019. EARTHRISE: ecological visions on both sides of the wall. ARCHIVE Books, Place of publication not identified.

Shaw, N., 2010. Nemeton. Nemeton, Dunfermline.

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Snyder, G., 2010. Riprap and cold mountain poems, Anniversary ed. ed. Counterpoint ; Turnaround [distributor], Washington, D.C., London.

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Spaid, S., 2017. Ecovention Europe, Art to Transform Ecologies, 1957-2017. Museum De Domijnen Hedendaagse Kunst, Sittard.

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Spaid, S., Contemporary Arts Center (Eds.), 2012. Green acres: artists farming fields, greenhouses and abandoned lots; [Contemporary Arts Center, Richard & Lois Rosenthal Center for Contemporary Art, Cincinnati, Sept. 21, 2012-Jan. 20, 2013 and travelling to the American University Museum, Washington, DC and the Arlington Art Center, Arlington, summer 2013]. Contemporary Arts Center, Cincinnati, OH.

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Strachan, G., 2008. Prophets of nature: green spirituality in romantic poetry and painting. Floris Books, Edinburgh.

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Tamás, R., 2022. Strangers: essays on the human and nonhuman. Makina Books, London.

Taylor, C., Gilbert, B., 2009. Land arts of the American West, 1st ed. ed. University of Texas Press, Austin.

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Toland, A., 2018. Field to Palette: Dialogues on Soil and Art in the Anthropocene. CRC Press, Florida, Boca Raton.

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Tyszczuk, R., Smith, J., Butler, R., 2019. Culture and Climate Change: Scenarios. Shed, Cambridge.

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Villanueva-Romero, D., Kerslake, L., Flys-Junquera, C. (Eds.), 2022. Imaginative ecologies: inspiring change through the humanities, Nature, culture and literature. Brill, Leiden ; Boston.

Ballengée, B., 2017. Waste land: a survey of works by Brandon Ballengée, 1996 -2016 : September 10 – December 17, 2016. University of Wyoming Art Museum, Laramie, WY.

Weibel, P., Neue Galerie Graz (Eds.), 1994. Ocean earth: 1980 bis heute; [anlässlich der Ausstellung “Ocean Earth – For a World Which Works”, Neue Galerie am Landesmuseum Joanneum, im Künstlerhaus, Graz, im Februar/März 1993]. Oktagon-Verl, Stuttgart.

Weinberger, L., Zanfi, C. (Eds.), 2009. Lois Weinberger: The Mobile Garden. Presented at the Biennale di Venezia, Damiani, Milano.

Weintraub, L., 2006a. Cycle-logical art: recycling matters for eco-art, 1. ed. ed, Avant-Guardians. Artnow Publications, Rhinebeck, N.Y.

Weintraub, L., 2006b. ECO-centric topics: pioneering themes for eco-art, 1. ed. ed, Avant-Guardians. Artnow Publications, Rhinebeck, N.Y.

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Wilson, E.O., 1999. Consilience: The Unity of Knowledge. Vintage Books, New York.

Wilson, E.O., 1996a. In search of nature. Island Press, Washington, D.C.

Wilson, E.O., 1996b. Naturalist, Penguin Science. Penguin Books, London.

Younger, P., 2014. Energy. Hodder and Stoughton, London.

Yusoff, K. (Ed.), 2008. Bipolar. Arts Catalyst [u.a.], London.

Zakai, S., 2008. Forest Tunes. Israeli Forum for Ecological Art.

Zechlin, R., Kunstverein Hannover, Kunsthaus Baselland, Frankfurter Kunstverein (Eds.), 2011. On the metaphor of growth. Presented at the Ausstellung Über die Metapher des Wachstums, Christoph Merian Verl, Basel.

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