Archive for the ‘Exhibitions’ Category

Green Tease: Land Art Generator Initiative – Creative Carbon Scotland

June 8, 2016

LAGI green tease lo res

What would a renewable energy project for Glasgow look like if the design process was led by artists, architects, landscape architects, and urban planners, working in collaboration with engineers?

Over the past ten months, three interdisciplinary design teams have worked together on proposals for a new renewable energy generation site in Port Dundas, Glasgow in association with the internationally acclaimed Land Art Generator Initiative. The teams have included artists Alec Finlay, Dalziel + Scullion and public art agency Pidgin Perfect. 

Coinciding with an exhibition of the resulting designs at the Lighthouse, you are invited to join Creative Carbon Scotland and partners from Land Art Generator Initiative Glasgow – Chris Fremantle (eco/art/scot/land) and Heather Claridge (Glasgow City Council) – for a discussion of the role of creative processes in the development of renewable energy infrastructure in Glasgow.

Timings

The event will begin with a viewing of the LAGI Glasgow exhibition in Galleries 4 and 5 of the Lighthouse (from 5:30 – 6pm) followed by a facilitated by a talk and discussion with refreshments provided (6 – 7:30pm).

Go here for booking: Green Tease: Land Art Generator Initiative – Creative Carbon Scotland

LAGI Glasgow at The Lighthouse 9 June-29 July

May 29, 2016

image
Scotland on Sunday features the Land Art Generator Glasgow exhibition, opening at The Lighthouse, Glasgow on 9 June.
Name checks for Wind Forest – ZM Architecture, Dalziel + Scullion, Ian Nicol of Qmulus and Peter Yeadon of Yeadon Space Agency, previous LAGI participant who joined the Scottish team; Watergaw – ERZ Landscape Architecture, Alec Finlay and their overseas team member Riccardo Mariano; Dundas Dandelion – Stallan-Brand Architects, Pigdin Perfect, the Glasgow Science Festival and their overseas partner Matt Rosenberg.
All three proposals imagine renewables at the heart of making Dundas Hill into a new place to live and work. Wind Forest conceptualised this as 10 habits to create a habitat.
REMINDER: Workshop with Creative Carbon Scotland on 8 June. Booking here
Previous story in The Scotsman here.

Reblogged Reflections on the Venice Biennale

February 27, 2016

The Climarte team (the Australian arts organisation rather than the Climart research network recently highlighted) covered environmental work presented at the recent Venice Biennale in <a href="http://us2.campaign-archive1.com/?u=29a210c8ac479a21fe27cfac3&id=c4fdb34ce1&e=[UNIQID]“>their newsletter. Climarte particularly focus on the non-European pavilions.
“In the South Korean Pavilion, Moon Kyungwon and Jeon Joonho invited us to visit Venice in some future time in which “the city that we used to know, along with the other glories of past civilization, no longer exists. The only visible vestige of the Giardini’s rich history is the Korean Pavilion—the last national pavilion to have been established within the garden…. The site no longer serves as a place for art. The pavilion is now a laboratory for archaeological investigation of the past civilization.”
Once again the subject of the aesthetics of uncivilisation emerges as important, with Enwezor, the curator, referencing Paul Klee’s image of the angel looking over its shoulder and Benjamin’s description of history piling up driving the angel into the future,
“The face of the angel of history is turned toward the past. Where we perceived a chain of events, he sees a single catastrophe which keeps piling wreckage … A storm is blowing from Paradise; it has got caught in his wings with such violence…. This storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. The storm is what we call progress.”

A Newfoundland Treasury of Terms for Ice and Snow

October 27, 2015
Ballicattered and Devil's Blanket, Blast Hole Pond River, Newfoundland, Winter 2012-2013

Ballicattered and Devil’s Blanket, Blast Hole Pond River, Newfoundland, Winter 2012-2013

A Newfoundland Treasury of Terms for Ice and Snow:
an exhibition by Canadian artist Marlene Creates

November 5-13, 2015
opening reception Thursday Nov 5, 5-7pm

Tent Gallery
Art, Space + Nature Studio
Edinburgh College of Art, Evolution House, ground floor, 78 West Port, Edinburgh EH1 2LE

Sish and Way Ice, Conception Bay, Newfoundland, March 2014

Sish and Way Ice, Conception Bay, Newfoundland, March 2014

In two videos, seasonal phenomena are observed and recorded by means of over 80 named varieties of ice, snow, and winter weather in the Newfoundland dialect. These terms are precise, practical, evocative, sonic, and lyrical. Knowing them helps us actually see different phenomena, instead of winter being just a cold, white blur.

Some examples are: ballicattered (covered with a layer of ice from the action of spray or waves), devil’s blanket (a snowfall that hinders your usual work), sish (fine, granulated ice floating on the surface of the sea), and way ice (loose ice that is easy to navigate).

One of the videos is a 26-minute-long documentary video-poem based on the Blast Hole Pond River that flows through the patch of boreal forest where the artist lives in Newfoundland; the other video is a real-time, single take of sea ice in Conception Bay shot from the Bell Island ferry in March 2014 when it was so cold that the bay itself froze for the first time in decades. It’s not uncommon for Arctic ice or drift-ice (floating masses or fragments of ice driven by wind and current) to float into the bay, but this was local ice, or bay ice.

The word “treasury” usually describes a collection of highly valued poems; it is used in the exhibition’s title to describe a collection of highly valued poetic terms. There is a wide local vocabulary to distinguish specific phenomena in the continuous modulations of winter weather. But this vocabulary is now a fragile intangible artifact. The loss of local linguistic complexity is a result of major changes in Newfoundland & Labrador, particularly the decline of the fishery as an occupation. And these terms are fragile for another reason—climate change.

The exhibition will include the video-poem From the Ground Tier to a Sparrow Batch: A Newfoundland Treasury of Terms for Ice and Snow, Blast Hole Pond River, Winter 2012-2013. It has been screened in Austria, Canada, India, the UK, and the USA, and has won several awards, including the Grand Jury Award at the 2014 Yosemite International Film Festival.

Film Awards

Film Awards

Marlene Creates’s theoretical and studio research interests include photography, ecology, and poetry. Underlying all her work, spanning over 35 years, is an interest in place — not as a geographical location but as a process that involves memory, multiple narratives, ecology, language, and both scientific and vernacular knowledge. Since 2002 her principal artistic venture has been to closely observe and work with one particular place — the six acres of boreal forest that she inhabits in Newfoundland, Canada.

Since the 1970s her work has been presented in over 300 exhibitions across Canada and in Ireland, Scotland, England, France, Denmark, the USA, and China. Her work is in numerous public collections, including the National Gallery of Canada. She has been a guest lecturer at over 150 institutions and conferences, both in Canada and abroad. She is currently an invited academic visitor for the “Art, Space + Nature” Masters programme at the Edinburgh College of Art.
www.marlenecreates.ca

With the assistance of The Canada Council for the Arts and ArtsNL.

GAIA Resonant Visions at SER 2015 Manchester

August 18, 2015

The Society for Ecological Restoration annual conference is in Manchester 23-27 August and James Brady has put together an outstanding Arts Programme.
“During the conference, two internationally renowned cultural venues in the city of Manchester will host GAIA – Resonant Visions: an exclusive cultural programme consisting of UK and world premiere artists’ film screenings, accompanied by public talks (with artists, ecologists, activists and scientists, etc.) associated with the conference theme of ecological restoration and resilience.
The events will be artistic co-ordinates and complimentary to the conference. Both responding and acting independently of the conference, they will expand and explore restoration and resilience from the neighbourhood to international scales, and from political, ecological and aesthetic perspectives.
How environmental activism, creative resistance and grassroots/indigenous movements can operate (both as a powerful metaphor and a real-world agency) for ‘resilience and restoration’ towards a post-fossil fuel world, are core themes which these events will also address.
Manchester is the birthplace of the Industrial Revolution: the unprecedented human technological shift which changed Planet Earth and crucially brought about the evolution of this Anthropocene age. It is therefore meaningful and poignant that a collection of moving image ‘visions’ of our changing planet are brought into the heart of what is one of the world’s first Post-Industrial cities.
The core cultural venues pledging their support for SER 2015 in the city are The Whitworth Art Gallery and HOME. A special suite of eco-artist films will also be hosted at Manchester Central during the conference itself, providing an integrated cross-disciplinary aesthetic engagement for delegates.”
Check it out here http://www.ser2015.org/arts-programme

Call for Ideas – Edinburgh International Science Festival

July 28, 2015

Edinburgh International Science Festival is the mother of all science festivals and they have a call for ideas out at the moment (Closing 1 September 2015).  They have highlighted their ambitions for the 2016 Festival as follows,

In 2016 we will transform the halls, gardens, theatres and galleries of Edinburgh into dens of debate, exploring science, technology, engineering and design’s ability to help improve our world and our lives through the concept of Building Better Worlds. Within this theme, specific areas of focus will include Being Human, Our Built Environment, Science and Culture, A Planetary Perspective and Beyond Planet Earth.

More information here Call for Ideas – Edinburgh International Science Festival.

Sylva Caledonia (Tim Collins, Reiko Goto Collins, Gerry Loose, Morven Gregor and ecoartscotland) was part of the 2015 presentation at Summerhall curated by ASCUS.  Search ‘Sylva Caledonia’ on this site for some posts covering the Caledonian Everyday discussions.


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