Beautiful Renewables: LAGI Exhibition at RGU, Aberdeen

November 16, 2017 by

 

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Wind Forest, ZM Architecture Team

Can renewable energy become not merely infrastructure but a feature of place-making? What can architects, artists and designers bring to the transition to a post-fossil fuel economy? Can creative approaches contribute to the commercialisation of new renewable technologies? These are some of the questions that the Land Art Generator Initiative (LAGI) is asking and why ecoartscotland partnered with them.

The exhibition of the Land Art Generator Glasgow project along with examples from other LAGI competitions is currently installed on the Concourse of the Sir Ian Wood Building, Robert Gordon University, Aberdeen.

It has previously been exhibited in The Lighthouse, Glasgow; Exeter University Innovation Centre; and Tent, Edinburgh College of Art.

The LAGI Glasgow project focused on Dundas Hill, a former distillery and power station site just north of Glasgow City centre. Dundas Hill is now a regeneration site being developed by a partnership between Scottish Canals and BIGG Regeneration supported by Glasgow City Council.

The three short listed teams were led by architects and landscape architects (ERZ, Stallan Brand, ZM Architects) and involved engineers, designers and artists (Daziel+Scullion, Alec Finlay, Pigdin Perfect).

The Land Art Generator Initiative will be releasing the Brief for it’s next International Open Competition for a site in Melbourne in Australia in January 2018.

Chris Fremantle, who established ecoartscotland in 2010, is a Senior Research Fellow and Lecturer in Contemporary Art Practice at Gray’s School of Art. Outputs associated with this work have been clustered into a ‘project’ by the RGU Library Service on OpenAIR here. They include a chapter in the book of the LAGI Copehagen Open Competition in 2014, a conference paper at PetroCultures 2016 conference as well as the citation of the Chartered Institute of Water and Environmental Managers (CIWEM) Art and Environment Award made in 2016.

Imagining Water, #2: Flooded McDonald’s

September 28, 2017 by

Artists & Climate Change

The second in a year-long series on artists who are making the topic of water a focus of their work and on the growing number of exhibitions, performances and publications that are popping up in museums, galleries and public spaces around the world with water as a theme.

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Flooded McDonald’s

Although created nine years ago by the Danish three-man art collective Superflex, the haunting film Flooded McDonald’s is every bit as relevant today, if not more so, as we recall with horror the recent television coverage of unprecedented water damage caused by mega-hurricanes Harvey, Irma, and Maria in Texas, Florida, and the Caribbean. Just 21 minutes in length, Flooded McDonald’s was produced by Propeller Group (Ho Chi Minh City) in association with Matching Studio (Bangkok), and co-produced by the South London Gallery, the Louisiana Museum of Modern Art (Denmark) and Oriel Mostyn Gallery (Wales).

Superflex

Superflex, founded in…

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LAGI Glasgow exhibition at Edinburgh College of Art

September 9, 2017 by

LAGI green tease lo res

Land Art Generator Glasgow exhibition
Tent: Art, Space and Nature, Edinburgh College of Art
8-21 September 2017

The award winning Land Art Generator Glasgow project, developed in collaboration with ecoartscotland, explores creative approaches to using renewable energy in urban contexts as part of place-making approaches to regeneration.

The Land Art Generator Glasgow project focused on the Dundas Hill regeneration site just North of Glasgow City Centre. The project has been develop in partnership with Scottish Canals, BIGG Regeneration and Glasgow City Council.

The exhibition includes the designs by teams led by landscape and architectural practices in Glasgow including ERZ, ZM Architecture and Stallan Brand, and also highlights examples from the Land Art Generator Initiative Open Competitions.

The Land Art Generator Initiative (LAGI) brings together artists, architects, scientists, landscape architects, engineers, and others in a first of its kind collaboration. The goal of the Land Art Generator Initiative is to stimulate the design and construction of public art installations that uniquely combine aesthetics with utility-scale clean energy generation.

As we aggressively implement strategies towards 100% carbon-free energy and witness a greater proliferation of renewable energy infrastructures in our cities and landscapes, we have an opportunity to proactively address the aesthetic influence of these new machines through the lenses of planning, urban design, community benefit, and creative placemaking.

ecoartscotland and the Land Art Generator Initiative were awarded the 2016 Chartered Institution of Water and Environment Management (CIWEM) Arts, Water and Environment Award. The Nick Reeves AWEinspiring Award is presented annually by CIWEM’s Arts and the Environment Network in association with the Centre for Contemporary Art and the Natural World (CCANW). The award celebrates projects or practitioners who have contributed innovatively to CIWEM’s vision of “putting creativity at the heart of environmental policy and action”.

Dave Pritchard, Chair of CIWEM’s Arts and Environment Network, said: “The quality of nominations for this year’s Award was wonderful. LAGI and ecoartscotland’s work is a superb example of our belief that arts-based approaches offer massive potential for more intelligent ways of responding to environmental challenges”.

The Land Art Generator Initiative’s programme includes in addition to the Glasgow project, a programme of Open Competitions, the next of which will be focused on Melbourne, Australia, in 2018.

There will be a discussion event at MFA Art, Space and Nature 3pm on 21 September. The event will be an opportunity to discuss the role of renewable energy in urban environments, as well as the opportunities presented by the Land Art Generator 2018 Open Competition in Melbourne. Allison Palenske, Alumni and member of the Art, Space and Nature based team that was a featured finalist in the 2014 Copenhagen Open Competition, will discuss making a successful Competition entry.

Please RSVP here 

For further information please contact Chris Fremantle on 07714 203016

Publication from the Land Art Generator Glasgow exhibition at The Lighthouse, Glasgow, 9 June – 29 July 2016

A5-LAGI-Glasgow-Brochure-16pages

Understanding a place “without shortcuts”: exploring the Tim Robinson archive 

August 26, 2017 by

This essay from Cathy Fitzgerald explores what ecological art might mean through the work of Tim Robinson and the context in Eire.

The Hollywood Forest Story : An Eco-Social Art Practice | Co. Carlow Ireland

I’m staying near Bearna village, which is on the edge of the ecologically significant Moycullen bog area in the West of Ireland. On such occasions the basic act of attention that creates a place out of a location would be renewed, enhanced by whatever systems of understanding we can muster, from the mathematical to the mythological, by the passion of poetry, or by simple enjoyment of the play of light on it. Here is a gateway to a land without shortcuts, where each place is bathed in the sunlight of our contemplation and all its particularities brought forth, like those mountainside potato plots gilded by midwinter sunset in the valley of the stone alignment.

Tim Robinson ‘A Land without Shortcuts’, The Dublin Review 46 (Spring 2012), p.43

2017 has seen me spending many months away from Hollywood forest. Now, I find myself exploring a remarkable archive, a body of work…

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Newton Harrison at Woodend Barn, Aberdeenshire (rescheduled)

August 16, 2017 by

Barn Harrisons image

Invitation

The Dee and Don Catchment Area
Creating Resilience to Climate Change

The Barn, Saturday 26 August 2017
7-9pm. Refreshments from 6.30pm

We are pleased to confirm that Newton Harrison’s visit to Aberdeenshire has
now been fixed and we are delighted to invite you to an evening of discussion
in his company on 26th August.

Newton Harrison of the Harrison Studio (USA) is an internationally acclaimed artist, who, along with partner Helen Mayer Harrison, has championed art & ecology across the globe since the early 1960’s.

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The Barn has invited Newton to visit Aberdeenshire to open a conversation, involving local agencies and communities in exploring the impacts of climate change on our local environment, centering initially on the catchments of the Dee and Don rivers. Following the Harrisons’ methodology, we hope to create a space where all voices can be heard and practical strategies can be formulated and shared.

This partnership forms the core of the Barn’s Art & Ecology programme for 2017-19, and will engage with environmental agencies, farming, fishing, forestry, government, academia, local communities and, not least, the creative sector.

We very much hope that you would like to be involved in supporting this project from the outset, and are able to join us for this opening event with Newton Harrison at the Barn.

Lorraine Grant, Anne Douglas and Mark Hope

RSVP to mail@thebarnarts.co.uk tel 01330 826520

For further information on the Harrison Studio please visit
http://theharrisonstudio.net/

Banner image: Chris Fremantle. Photograph: Mel Shand

‘After Coal’ Screening and discussion

August 15, 2017 by

CCAFlyer2Sweb

Documentary exploring climate justice to screen at CCA: Centre for Contemporary Arts in Glasgow on 3 September 2017

What happens when fossil fuels run out? How do communities and cultures survive?

After Coal profiles inspiring individuals who are building a new future in the coalfields of eastern Kentucky and south Wales. The hour long documentary will screen at CCA: Centre for Contemporary Arts at 3pm Sunday 3 September. Director Tom Hansell will attend a question and answer session after the screening.

The film features ex-miners using theater to rebuild community infrastructure, women transforming a former coal board office into an education hub, and young people striving to stay in their home communities. The stories of coalfield residents who must abandon traditional livelihoods bring viewers to the front lines of the transition away from fossil fuels. Music plays a major role in this documentary essay, linking the two regions and providing cultural continuity that sustains communities through rapid change.

Director Tom Hansell has made a career of documenting energy issues in the Appalachian coalfields of the United States. His previous films Coal Bucket Outlaw (2002) and The Electricity Fairy (2011) screened at the Museum of Modern Art in New York City.

CCA: Centre for Contemporary Arts is Glasgow’s hub for the arts. Their year-round programme includes cutting-edge exhibitions, film, music, literature, spoken word, festivals, Gaelic and performance. At the heart of all activities is the desire to work with artists, commission new projects and present them to the widest possible audience.

For more information, contact the CCA box office at  boxoffice@cca-glasgow.com, phone 0141 352 4900 or contact the filmmaker directly at thansell@gmail.com

To book tickets electronically, go to: http://cca-glasgow.com/programme/after-coal


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