[1] Ecoart in Action, 2022. Photo: Amara Geffen. [2] Robyn Woolston, Habitus (Detail), 2013. Steel, foamex, aluminium, and printed vinyl. Photo: Robyn Woolston. [3] Fern Shaffer, Cornfield Outside Mineral Point, Wisconsin, 1997. Performance costume made from canvas and raffia. Photo: Othello Anderson. [4] David Haley, Making Our Futures: MA Students from Art, Landscape Architecture and Architecture. Students Walking Research... Continue Reading →
Reblog: Global Environment Policy as political theatre #COP26
Reposting from Artists & Climate Change, Kyoto Forever? UN Climate Conferences as Political Theatre is a valuable exploration of the ways in which theatre can open up and imagine global environment policy-making, particularly as enacted in UN Framework Convention on Climate Change Conventions of the Parties (UNFCCC COPs, particularly with COP26 coming to Glasgow in... Continue Reading →
The ‘Climate Atlas’ and the cost of belief
“Climate change is often described as a 'wicked problem.' One of its wickedest aspects is that it may require us to abandon some of our most treasured ideas about political virtue: for example, 'be the change you want to see.' What we need is instead is to find a way out of the individualising imaginary... Continue Reading →
Report on AALERT
This is a quick and personal reflection on the Art and Artists in Landscape and Environmental Research Today workshop (AALERT) held at the National Gallery London 15 Feb jointly sponsored by the Landscape Research Group and the Valuing Nature Programme of the Natural Environment Research Council (NERC), and supported by the Landscape & Arts Network.... Continue Reading →
The Same Hillside
It was a seemingly unlikely pair forming the panel after the Crypic Nights premier of The Same Hillside at the Centre for Contemporary Art in Glasgow. The one who looked like a farmer (checked shirt and flat cap) was the documentary film-maker John Wallace, the other (long hair and beard a t-shirt with a 'pirate'... Continue Reading →
A Field of Wheat: whose art?
This piece was originally published as part of the A Field of Wheat project in September 2016 at the invitation of the artists. The images are all courtesy of the artists. 20th August 2016 I got an email headlined “The Wheat has been Harvested”. It wasn’t a metaphor. A field of wheat in Branston Booths,... Continue Reading →
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