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With thanks to members of ecoartnetwork.org who have been contributing to this bibliography.

Adams, C., (2002) Environmental Art: A Brief Introduction. Centre for Contemporary Art and the Natural World, Exeter.

____________ (1992) Aesthetics of Environment. Philadelphia: Temple University Press

Alexander, C. (2004) Luminous Ground (Nature of Order series). Alexander’s Center for Environmental Structure, Berkeley, California.

Andrews, M. (2006) Land Art: A Cultural Ecology Handbook, RSA Arts&Ecology.

Atran, S., and Medin, D., (2010) The Native Mind and the Cultural Construction of Nature.  Cambridge, MA: MIT Press

___________ (2006) Artful Ecologies, Art Nature and Environment Conference, RANE, University College Falmouth,
artful_ecologies_papers

Beardsley, J. (1989) Earthworks and Beyond: Contemporary Art in the Landscape. New York: Abbeville Press.

Berleant, A. ed. (2002) Environment and the Arts. Burlington: Ashgate.

Boettger, S. (2002) Earthworks, Art and the Landscape of the Sixties, University of California Press, Berkeley.

Bourriaud, N., (2008) Altermodern, London: Tate Publishing.

Brady, E. (2003) Aesthetics of the Natural Environment. Tuscaloosa: University of Alabama Press.

Brand, S., (2009) Whole Earth Discipline: An Ecopragmatist Manifesto. New York: Viking

Buell, L., Braddock, A. C., and Irmscher, C., (2009) A Keener Perception: Ecocritical Studies in American Art History. The University of Alabama Press.

Burnham, L. F. and Durland, S., eds. (1998) The Citizen Artist: 20 Years of Art in the Public Arena. Gardiner, NY: Critical Press.

Capra, F., (1997) The Web of Life: A New Synthesis of Mind and Matter.  Flamingo.

Carlson, A. (2000) Aesthetics and the Environment. London, UK: Routledge

Carruthers, B., (2006) Mapping the Terrain of Contemporary Eco-ART Practice and Collaboration A research report commissioned by the Canadian Commission for UNESCO for Arts in Ecology – A Think-Tank on Arts and Sustainability. Published online by UNESCO.

Carruthers, B., (2010) Podcast of lecture at RANE.  Exeter:  University College Falmouth.

de Certeau, M., (1985) Pay Attention: To Make Art. Harrison, in H. M., and Harrison, N., Lagoon Cycle. Ithaca NY: Cornell University Press.

* Collins, T (2012 forthcoming) Art, Imagination and Contradiction in Landscape. In Thompson, I. Howard, P. and Waterton, E. (Eds) Companion to Landscape Studies. London: Routledge

* Goto, R. Collins, T. (2011 forthcoming) LIVING Things – The ethical, aesthetic impulse. In Brady, E. And Phemister, P. (Eds.) Transformative Values: human-environment relations in theory and practice. London: Springer-Verlag.

* Ball, L., Collins, T., Goto, R., Damon, B., (2011)  Environmental Art as Ecological Restoration in Egan, D., Hjerpe, E.E., Abrams, J.,(Eds.) Human Dimensions of Ecological Restoration: Integrating Science, Nature and Culture. Washington: Island Press.

* Goto, R., Collins, T. (2011) Scotland: Plein Air, Ethics and Art. Women Environmental Artists Directory Magazine, Issue 3, Border Crossings. Women Environmental Artists Directory, Berkeley, California.

* Collins, T. (2010) 3 Rivers 2nd Nature 2000-2005, Water, Land & Dialogue. Revue d’art Canadienne / Canadian Art Review, Vol 35 Issue3. Canada Universities Art Association of Canada.

* Collins, T. (2008) Can or Should Artists Attempt to Creative Verifiable Change? In O’Reilly, S., Beauchamp, P. (Eds.) Sense in Place, Site-ations International. Cardiff, Wales: Centre for Research in art and Design, University of Wales Institute Cardiff, and Dublin: Dublin Institute of Technology DIT, Ireland.

* Tarr, J, Muller, T. and Collins, T. (2008) Pittsburgh’s Three Rivers From Industrial to Environmental Infrastructure. In Mauch, C. and Zeller, t. (Eds.) Rivers in History: Designing and Conceiving Waterways in Europe and North America. Pittsburgh: University of Pittsburgh Press.

* Collins, T. (2008) Art Nature and Aesthetics in the Post Industrial Public Realm. In France, R. (Ed.) Healing Nature, Repairing Relationships: Restoring Ecological Spaces and Consciousness. Chicago, ILL: Green Frigate Books.

* Collins, T. (2007) Catalytic Aesthetics. In the publication from the conference, Artful Ecologies, Falmouth: University College Falmouth.

* Collins, T. Kline, J. Vallianos, K. Fox, C. et al (2006) Ecology and Recovery: Allegheny County, Final Report, Pittsburgh PA: STUDIO for Creative Inquiry, Carnegie Mellon University.

* Collins, T. and Goto, R. (2005) An Ecological Context. In Miles, M. (Ed.) New Practices/New Pedagogies: Emerging Contexts, Practices and Pedagogies in Europe and North America. Lisse, Netherlands: Swets and Zeitlinger.

* Goto, R. and Collins, T. (2005) Mapping Social and Ecological Practices. In Miles, M. (Ed.) New Practices/New Pedagogies: Emerging Contexts, Practices and Pedagogies in Europe and North America. Lisse, Netherlands: Swets and Zeitlinger.

Collins, T. Farber, S. Fox, C. Goto, R. Perkins Eastman Architects et al (2004) An Ecological and Physical Investigation of Pittsburgh’s Hillside. (Report to the City of Pittsburgh Hillsides Committee). Pittsburgh PA: STUDIO for Creative Inquiry and Perkins Eastman Architects with Allegheny Land Trust.

* Collins, T. (2004) Aesthetic Diversity. In Strelow, H. David, V., (Eds.) Herman Prigann – Ecological Aesthetics: Theoretical Practice of Artistic Environmental Design. Berlin, Germany: Berkhäuser Verlag, AG.

* Collins, T. (2003) Lyrical Expression, Critical Engagement, Transformative Action: An Introduction to Art and the Environment. Community arts network: Reading Room, Arts and the Environment [online]. Burnham, L. (Ed.), [cited 22nd February 2007]. Accessed via Community Arts Network at: <http://www.communityarts.net/readingroom/archivefiles/2003/06/lyrical_express.php> (Subsequently translated into German) Lyrischer Ausdruck, Kritisches Engagement, Transformative Aktion. Hagia Chora Magazine, #17, 1/2004. Germany: Dietzenbach. pp. 14-19. (Translated into French), Expression Lyrique, Engagement Critique, Action Transformatrice : une Introduction à l’Art et à l’Environnement. In Ecologie et Politique, #36, June 2008,Éditions Syllepse.France: Paris) pp. 127-153.

* Collins, T. and Goto, R. (2003) Art, Landscape, Ecology and Change. In Hall, T. and Miles, M. (Ed.) Urban Futures. London: Routledge.      

* Collins, T. (2003) Postindustrielle Landschaft-Nine Mile Run: Interventions in the Rust Belt: The Art and Ecology of Post-Industrial Public Space. In Genske, G.D. and Hauser, S . (Ed.) Die Brache als Chance:Eing Transdisziplinarer Dialog Uber Verbrauchte Flachen. Berlin, Germany: Springer-Verlag.

* Collins, T. (2002) Conversations in the Rust Belt. In Herzogenrath, B. (Ed.) From Virgin Land to Disney World: Nature and Its Discontents in the America of Yesterday and Today. Amsterdam and Atlanta: and Rodopi.

Pinkham, R. and Collins, T. (2002) Post-Industrial Watersheds: Retrofits and restorative redevelopment (Pittsburgh Pennsylvania). In France, R.L. (Ed.) The Handbook of Water Sensitive Planning and Design. London, New York, Washington D.C.: Lewis Publishers.

* Collins, T. (2001) The Rust–Belt Dialogues: An Artists Concept Model for Public Dialogue about Urban Stream Restoration. Ecological Restoration, 19(3).

* Collins, T. (2001) 3 Rivers – 2nd Nature the River Dialogues. In Bennet S. and Butler, J. (Ed.) Localities and Regeneration and Diverse(c)ities. Exeter: University of Plymouth, Bristol: Intellect Publishing.

Ferguson, B., Pinkham, R. and Collins, T. (1999) Re-Evaluating Stormwater, The Nine Mile Run Model for Restorative Development. Snowmass Colorado: Rocky Mountain Institute.

Collins, T., Dzombak, D., Rawlins, J., and Tamminga, K., Thompson, S. (1999) Nine Nile Run Watershed, Rivers Conservation Plan. Harrisburg, Pennsylvania: PA Dept of Conservation and Natural Resources.

* Collins, T. and Savage, K. (1998) Learning to See Assets as Well as Liabilities, opportunities as Well as Constraints. Public Work, Management and Policy, 2(3), pp. 210-219

Bingham, B., Collins, T., Goto, R., and Stephen, J. (1998) Ample Opportunity: A Community Dialogue. Pittsburgh, Pennsylvania: STUDIO for Creative Inquiry, Carnegie Mellon University.

* Collins, T. and Goto, R. (1997) Urban Reclamation. Leonardo, 30(3).

* Collins, T., Goto, R., Barnes, R., and Yuen, S. (1993) Aqua Pura (V. Trostle, V. and J. Redensek ed.). San Francisco California: San Francisco Art Commission and the San Francisco Department of Water.

* Collins, T., Farabough, L., Oppenheimer, and M., Richards, P. (1991) Art Along the Waterfront: A Guide to Opportunities for Public Artists and Public Art on the Embarcadero of San Francisco (J. Redensek ed.). Sacramento California: The California State Arts Council.

Dijkstra, B.. (1998) Georgia O’Keefe and the Eros of Place. Princeton: Princeton University Press.

Feran, B.,  Paralelo – Unfolding Narratives: in Art, Technology & Environment.  An international networking event took place last year in Sao Paulo relating to art, technology and environment which has now resulted in a book and online PDF which is available at http://www.virtueelplatform.nl/#2930 – with texts by Brasilian, Dutch and UK writers, researchers and practitioners.

Flam, J., (1996)  Robert Smithson: The Collected Writings.  University of California Press.

Gablik, S. (1991) The Reenchantment of Art. New York: Thames and Hudson.

Gessert, G., (2010) Green Light: Toward an Art of Evolution, Cambridge, MA: MIT Press

Grande, J. K. (1994) Balance: Art and Nature. Montreal: Black Rose Books.

Grande, J. K. (2004) Art Nature Dialogues: Interviews with Environmental Artists. Albany: State University of New York Press.

Haeg, F. (2010) Edible Estates: Attach on the Front Lawn (2nd Ed) New York: Metropolis Books

Haley, D. (2008)  Arts in Ecology: Questions of Foresight, Music and Arts in Action, Volume 1,  Issue 1, University of Exeter
Haley Arts in Ecology

Hamblyn, R., and Callanan, M. J., (2009) Data Soliloquies, London: Slade Press

Hansen, J., (2009) Storms of my Grandchildren. London Bloomsbury

Harrington, S. & Stevenson, J., ed. (2005) Islands in the Salish Sea: A community atlas. Surrey: TouchWood Editions.

Harrison, H.M., and Harrison, N., (1985) Lagoon Cycle, New York: Cornell University (many of the Harrisons publications are available electronically from their excellent web site).

Harrison, H.M., and Harrison, N., (1995) Green Heart Vision, Cultural Council and Province of South Holland (many of the Harrisons publications are available electronically from their excellent web site).

Harrison, H.M., and Harrison, N., (2001) From There to Here. (many of the Harrisons publications are available electronically from their excellent web site).

Ingold, T. (2002) The Perception of the Environment – Essays In Dwelling, Livelihood and Skill. London: Routledge.

______________ (2009)  International Energy Outlook.  Washington: Energy Information Administration, Department of Energy.

____________ (1998) IO – The Internet Magazine of Applied Aesthetics, Issue on Environmental Art, Summer. Lahti, Finland
http://www.helsinki.fi/jarj/iiaa/io1998

Jevons, S.L., (1865)  The Coal Question; An Inquiry concerning the Progress of the Nation, and the Probable Exhaustion of our Coal-mines.  (London: Macmillan and Co., 1866). 2nd edition, revised.  accessed from The Online Library of Liberty.

Kahn, R., (2010) Critical Pedagogy, Ecoliteracy & Planetary Crisis: The Ecopedagogy Movement.  Peter Lang.

Kastner, J., ed. (1998) Land and Environmental Art. London: Phaidon.

Kemal, S. and Gaskell, I, ed. (1995) Landscape, Natural Beauty and the Arts. New York: Cambridge, paperback edition.

Kester, G. (2002) Conversation Pieces: Community and Communication in Modern Art.  University of California Press

Kester, G. (2005) Groundworks: Environmental Collaboration in Contemporary Art (exhibition catalog). Pittsburgh, PA: Regina Gouger Miller Gallery, Carnegie Mellon University. Groundworks Exhibition [pdf]

Krug. D. (1997). Art & Ecology: Interdisciplinary Approaches to Curriculum. Getty Center for the Arts and the Green Museum.
http://www.greenmuseum.org/c/aen/

Krug. D. (2002). Identity and Place in Contemporary Art. Davis Publications.
http://www.dkrug.com/davis

Kunstler, J.H., (2005) The Long Emergency: Surviving the Converging Catastrophes of the Twenty-First Century.  New York: Atlantic Monthly Press.  Kunstler-the_long_emergency

Kwon, M. (2002) One Place After Another: Site-Specific Art and Locational Identity. Boston: MIT Press.

Lacy, S. (1998) Mapping the Terrain: New Genre Public Art, University of California Press.

Lippard, L. (1983) Overlay: Contemporary Art and the Art of Prehistory. New York: The New Press.

Lippard, L. (1998) Lure of the Local: Senses of Place in a Multicentered Society. New York: The New Press.

McIntosh, A. (2001) Soil and Soul: People versus Corporate Power. Aurum Press

Matilsky, B. (1992) Fragile Ecologies. New York: Rizzoli.

Merleau-Ponty, M. (1964) “Eye and Mind”, in The Primacy of Perception. Evanston: Northwestern University Press.

Milton, K. (2002) Loving Nature – Towards An Ecology of Emotion. London: Routledge.

Morgan, R.C., (1982) Touch Sanitation: Mierle Laderman Ukeles, first published High Performance, reproduced communityarts.net

Nabhan, G. P. (1997) Cultures of Habitat – On Nature, Culture and Story. Washington: Counterpoint.

Nemitz, B. (2000) trans/plant, Living Vegetation in Contemporary Art, Hatje Cantz, Germany.

Oakes, Baile, ed. (1995) Sculpting With the Environment: A Natural Dialogue. New York: John Wiley & Sons.

Plumwood, V. (1993) Feminism and the Mastery of Nature. London: Routledge.

Saito, Y. The Greening of Aesthetics in COGEN – visual culture and nature. Online journal: http://www.publicnature.ca/co-gen ,accessed 09/03/2005

Saito, Y. (1998) The Aesthetics of Unscenic Nature in The Journal of Aesthetics and Art Criticism, Vol. 56, No. 2, Environmental Aesthetics (Spring), 101-111.

Sewell, L. (1999) Sight and Sensibility – the ecopsychology of perception. New York: Jeremy P. Tarcher/Putnam, Penguin Putnam Inc.

Shepard, P. (1982) Nature and Madness, San Francisco: Sierra Club Books

Smith, S. (2007) Beyond Green. Smart Museum of Art.
Beyond_Green_CatalogueWEB

Solnit, R. (2003) As Eve Said to the Serpent: On Landscape, Gender and Art. Athens: University of Georgia Press.

Sonfist, A. (1983) Art in the Land: A Critical Anthology of Environmental Art. New York: E.P. Dutton.

Spaid, S. (2002) Ecovention: Current art to transform ecologies.

Strelow, H. (1999) Natural Reality, Artistic Positions between Nature and Culture, Ludwig Forum for International Art, Aachen, Germany.

Strelow, H. (2004) Ecological Aesthetics: Art in Environmental Design: Theory and Practice. Initiated by Herman Prigann. Basel, Boston, Birkhäuser.

Szerszyski, B., Heim, W., & Waterton, C. (2003) Nature Performed: Environment, Culture and Performance. Oxford: Blackwell.

Tuan, Yi-Fu.  Passing Strange and Wonderful.  Aesthetics, Nature, and Culture.  Kodansha International.  New York, Tokyo, London, 1993

Weintraub, L., (2006) Avant Guardians: Textlets on Art and Ecology. New York: Artnow Publications.

Weintraub, L., (2007) Eco-Centric Topics: Piioneering Themes for Eco-Art. New York: Artnow Publications.

Weintraub, L., (2007) Cycle-Logical Art: Recycling Matters for Eco-Art. New York: Artnow Publications.

Weintraub, L., (2008) EnvironMentalities: Twenty-two Approaches to Eco-Art. New York: Artnow Publications.

Winterson, J. (1995) Art Objects – Essays on Ecstasy and Effrontery. London: Random House.

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