“…as an act of defiance as a way to care as a way to think differently as a capable future as a way to find out what’s in it for the forest…”Extract from “What’s in it for the Forest? The Writing on the Wall” – text exhibit by David Haley Jools Gilson in Weathering by Mary Wycherley (2023).... Continue Reading →
Art and Activism towards COP – Guest Review by Marc Herbst
"Better late than never" This review from Marc Herbst, Co-editor of the Journal of Aesthetics & Protest explores art and activism at the time of COP26. Climate Crossroads by the Human Impact InstituteCentre for Contemporary Arts, Glasgow, November 2 – November 4, 2021 Court for Intergenerational Climate Crimes By Radha D’Souza and Jonas Staal Framer... Continue Reading →
Shelby Bennett reviews Robyn Woolston’s ‘Yours, in Extraction’
When entering Robyn Woolston’s recent solo exhibition Yours, in Extraction, the first word viewers see is “EMERGENCY.” The word is emblazoned on a stack of ‘Emergency Beacons’ stacked in the middle of the gallery at Fort Worth Contemporary Arts (Art Galleries at TCU). The beacons are tall, black, poles topped with blue lights that immediately... Continue Reading →
BD Owens reviews ‘Assuming the Ecosexual Position’ by Beth Stephens and Annie Sprinkle
Photo credit Julian Cash and Design Credit Sandra Friesen Beth Stephens and Annie Sprinkle have taught us all more about ecosexuality than perhaps any other artists. Their new book Assuming the Ecosexual Position: The Earth As Lover, reviewed by BD Owens, opens up their development of this practice in new, joyful ways. BD's review of their... Continue Reading →
Reblog: Reports on Climate Change Conferences, 2000-2019
This collection from the Climate Change Policy blog would have been useful when we were writing a Chapter and a Timeline for the new Routledge Companion to Art and the Public Realm. Anne Douglas, Dave Pritchard and I juxtaposed the 50-year ecological practice of the Harrisons (Helen Mayer Harrison 1927-2018) and Newton Harrison (b.1932) with... Continue Reading →

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