Collins_Goto_Edwards_FutureForest2015 We are pleased to highlight the Report just released by the Collins and Goto Studio and Forest Research entitled Future Forest, The Black Wood, Rannoch, Scotland. It features reflection and findings from a year long artist-led creative inquiry into the ecological and cultural meanings and values associated with the Black Wood of Rannoch in... Continue Reading →
Anthroposcene Evolution
James Watt didn't start the anthropocene age, nor is he responsible for climate change, but the invention of the Steam Engine is more than a footnote in history. The new online journal at http://www.anthroposcenemanifesto.com (sic) is a platform for research and reflection from social, cultural ecology perspectives. The introduction reads, The Anthroposcene Evolution is a... Continue Reading →
A Critical Forest Art Practice
Tim Collins and Reiko Goto's project, The Forest is Moving, exploring, listening and responding to, imagining, learning from, touching, sleeping in, filming, photographing, walking in and with, the Black Rannoch Woods, is ongoing at the moment. They have been posting to the Imagining Natural Scotland's blog (where you can find blog posts from other projects... Continue Reading →
Aesthetics of Uncivilisation Pt.2
The first post under the title Aesthetics of Uncivilisation focused on responding to Charlotte Du Caan's call for submissions for the Dark Mountain Project's next publications and her reflection on Seeing through a glass darkly. She said, The fact that civilisation holds us so tightly in its unkind embrace is not only because it controls... Continue Reading →
Aesthetics of uncivilisation (call for visual works)
At Carrying the Fire, which was held at Whiston Lodge last year, Dougie Strang had asked me to contribute to the discussions, and I read a section of Helen Mayer Harrison and Newton Harrison's Lagoon Cycle (1985). The poem evokes the world-wide changes resulting from the increase in heat and consequent decrease in ice. The... Continue Reading →
Spirited discussions pt. 4 (by Ben Twist, Director of Creative Carbon Scotland)
The last of our Spirited Discussions asking, ‘Can Art Change the Climate? was entitled: Going Beyond the Material: Environment and Invisible Forces in the Literary, Performing and Visual Arts. This, in some ways, reminded me of Wallace Heim’s reference in Spirited Discussion part 2 to Alan Badiou’s idea that the four critical kinds of event... Continue Reading →
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