“…as an act of defiance as a way to care as a way to think differently as a capable future as a way to find out what’s in it for the forest…”Extract from “What’s in it for the Forest? The Writing on the Wall” – text exhibit by David Haley Jools Gilson in Weathering by Mary Wycherley (2023).... Continue Reading →
#arts4treescapes
The NERC led Treescapes Programme specifically articulates a requirement for Arts & Humanities involvement. The Programme Ambassadors are using #treescapes and we'd encourage practice-led researchers in the arts, curating and producing to use #arts4treescapes to discuss the programme and to highlight relevant practices and projects. For example, as a 'starter for 6', the following are... Continue Reading →
Re-posting: Review of Plein Air by Silva Datum Musica on ToneShift
...but they have successfully fused sound and vision with natural science to deliver an awesome ear-opener as well. Read the whole review here... and listen to excerpts here... via Plein Air by Silva Datum Musica — The Future of music one record at a time
Lecture: Patricia Watts ‘Some Kind Of Nature’ 4pm 23 April, Glasgow Sculpture Studios
ecoartscotland is very pleased to be partnering with Glasgow Sculpture Studios and the Collins and Goto Studio to present the lecture Some Kind of Nature by international curator and founder of ecoartspace Patricia Watts. Monday 23 April, 4pm, Glasgow Sculpture Studios (Board Room, 2nd Floor) FREE (download pdf of poster: 2018TWattsECOARTSCOTLAND-GSS) This talk will focus... Continue Reading →
Minty Donald reviews A Caledonian Decoy
Tim Collins and Reiko Goto’s dense and thought-provoking exhibition brings together a number of recent works developed as part of what they describe in the accompanying catalogue as ‘A Critical Forest Art Practice’.* This body of works, made ‘with rather than in’ forests in Scotland is intended to ‘explore […] new relationships between humanity and... Continue Reading →
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