This blog comes to you from John Thorne. John is Sustainability Coordinator at Glasgow School of Art. Here he opens up issues which frame Saturday's Climate Psychology Association Scotland 1st Annual Conference: From the personal to the social: Climate psychology and the sense of responsibility. Booking here. We live in a time of great anxiety... Continue Reading →
Beverly Naidus: The ZAD Becomes Compost? LONG LIVE THE ZAD!
This post comes from Beverly Naidus, a friend and colleague. Her attention is focused on the ZAD (zone à défendre) after visiting in October. Recent events have made it urgent to relay her experience and why the destruction of this place in France matters. A month ago we drew attention to the Journal of Aesthetics... Continue Reading →
Tim Collins: Review of LRG’s What is Landscape Justice and Why Does it Matter?
In the second of two pieces resulting from Landscape Research Group (LRG) events, Tim Collins (with input from Reiko Goto) reports on the Debate focused on Landscape Justice held in London on Wednesday 7 December 2017. At this event, landscape justice issues discussed included deeply troubling, indeed dark and bloody national narratives underpinning what is... Continue Reading →
Holly Keasey: Reflecting on Water Rights Residency
This is the final blog from Holly Keasey written in October some months after her return from Santa Fe. Holly reflects on her apparent diversion from her intentional misunderstanding of the 'rights' in Water Rights to be equivalent to the 'rights' in Human Rights. The delay in publishing it is entirely the responsibility of the... Continue Reading →
Reviewer needed: Apples & Other Languages by Camilla Nelson
We have received a copy of Apples and Other Languages by Camilla Nelson (published by KFS) and we're looking for a reviewer. Please contact Chris Fremantle with examples of your reviewing and a brief bio. We'd appreciate expressions of interest by 17 April.
Minty Donald reviews A Caledonian Decoy
Tim Collins and Reiko Goto’s dense and thought-provoking exhibition brings together a number of recent works developed as part of what they describe in the accompanying catalogue as ‘A Critical Forest Art Practice’.* This body of works, made ‘with rather than in’ forests in Scotland is intended to ‘explore […] new relationships between humanity and... Continue Reading →
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