Artist Lisa Roberts worked with scientists investigating the life of Krill deep in the ocean. Lisa Roberts' drawings, based on a very blurry video from the bottom of the ocean, articulates what she could see. She focused on understanding the 'dance' to the point that she could draw and then animate it. Lisa was not... Continue Reading →
Teaneck Creek – Artists’ Projects
Rick Mills, Professor of Printmaking at Long Island University, is also artist in residence at the Teaneck Creek Conservancy and through this has developed a programme of art and education. He has involved a range of artists with environmental/ecological practices, as well as work with children and young people in local schools. Using resources of... Continue Reading →
Hydromemories: Call for examples of artists working with water
Hydromemories is seeking to build up an archive of artists working with water. The site already contains a number of interesting examples, to which one might add: Betsy Damon, Keepers of the Waters, Liz Ogilvie's Bodies of Water amongst other works, Anne Bevan's Source amongst other works, Common Ground's Confluence and other projects, Helix Arts'... Continue Reading →
Gaia Cabinet in Liverpool
The Gaia Project in Liverpool created the Gaia Cabinet as an informal working and interaction space during the Liverpool Biennial. Featuring work by a number of artists including James Brady, David Haley, Anne Earnshaw and Rebecca McKnight, to name a few. Brady focused on dead leaves and leaf mould, David Haley often writes on walls,... Continue Reading →
Growing Exchange discussion
Friday 25 February 2011, 4-6pm at CCA, 350 Sauchiehall Street, Glasgow Free public discussion between Alex Wilde and Annechien Meier reflecting on the residency at CCA sharing research and talking about practice, leading into a discussion on community growing and related issues in Glasgow. growing_exchange_flyer
Slouching Towards Yucca Mountain
So you want to make radical work about radiation waste, for example, and whilst you write grant applications, you also want to build interest around the work, and avoid reliance on 'committees' effectively giving you permission to make the work by waiting for a grant to be approved. You are an artist first and fund-raising... Continue Reading →
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