Archive for the ‘News’ Category

Continuous Cover Forest Policy

May 13, 2013

Cathy Fitzgerald has just blogged about the The Green Party in Ireland who have just launched it’s Forest Policy (read the press release here).  This new Policy argues that

“Ireland’s public forests are at a point where, non clearfell, continuous cover forest systems need to be introduced and supported to fully realise the full long term economic, environmental and amenity values of Ireland’s forests.”

Helen Mayer Harrison and Newton Harrison would, we are sure, endorse this – it’s the sort of Policy that they were proposing in amongst other works, the Serpentine Lattice.

What does he plant who plants a tree? we need permanent, non clearfell forests in Ireland

May 10, 2013

Reblogged from seeing & tending the forest: toward deep sustainability:

  • Click to visit the original post

I'm just putting this post together to record what happened at Avondale a few weeks ago that has helped grow the public opposition about the proposed sale of Ireland's public forests.

It was incredible to be part of roughly 4000 people, to turn up at Avondale, Co. Wicklow to take part in a public walk in the forests there. I went with a few  friends and other Green Party members.

Read more… 489 more words, 1 more video

Collins and Goto conversation

May 10, 2013

LECTURE FLYERE

Collins & Goto at the Edinburgh Art Festival

April 30, 2013
Edinburgh Art Festival – Exhibitions – Edinburgh College of Art Tent Gallery

Eden3, Collins & Goto, 2006 ongoing

ecoartscotland is pleased to partner with Creative Carbon Scotland and Edinburgh College of Art to present Collins & Goto’s Spirit in the Air at the Edinburgh Art Festival 2013.

Collins & Goto, the eminent US ecological artists now based in Scotland, will present new work, using the Tent Gallery as a base of operations and performance to explore the actual rate and flow of CO2 in the environment in Edinburgh.  This project asks the question If humans produce gas in cities and there are no trees around to breathe it, does anyone care?

Su Grierson’s correspondence from Fukushima Province collected

April 25, 2013

Su Grierson has, with the assistance of Jan van Boeckel, collected her blogs from her residency in Fukushima Province in Japan which were posted to ecoartscotland.  She has added a lot of new images which did not originally feature.  The blogs describe her time meeting and living with people affected by the tsunami and nuclear meltdown.  Her visit took place two years after the event, but the consequences remain with the people on so many levels.

Ecoartscotland is pleased to include this collection as part of the ecoartscotland occasional papers.  There are hi res and lo res version available for download here: Su_Grierson_Corresponding_from_Fukushima_Province_Japan_hi_res Su_Grierson_Corresponding_from_Fukushima_Province_Japan_lo_res

Eden3: Trees are the Language of Landscape

April 5, 2013

Eden3: Trees are the language of landscape exhibition image

Exhibition – April 22 to May 25, 2013
Tent Gallery, in Art Space and Nature
Edinburgh College of Art
Evolution House (corner of Westport and Lady Lawson Street)
Edinburgh, EH1 2LE, Scotland
Phone: 0131 651 5800
Hours: Tues-Fri 12noon to 4:45PM or by appointment on Saturday.

The Collins & Goto Studio presents an on-going series of works with trees, including Eden3 an installation of trees and technology that provide an experience of photosynthesis through sound, and Caledonia: The Forest is Moving a series of expeditions and related inquiry about specific forests. The exhibition includes a brief overview of previous work from Pennsylvania and California to provide context for the current creative inquiry.

This work has evolved through collaboration with other artists, musicians, scientists and technicians. The exhibition is partially sponsored by Trilight Industries, Glasgow. Engineering support for the development of Eden3 is provided by Solutions for Research, Bedford. Special thanks to Helen de Main, Sogol Mabadi and Chris Fremantle.

Opening – Thursday April 25, 4 to 6 PM
Artist’s Talk – Thursday May 16, 4 to 6 PM

Collins and Goto will host an open discussion with friends and colleagues about their work and the role of art in relationship to a changing environment.
Space is limited please RSVP if interested in attending the artist talk rsvp@collinsandgoto.com

Eden3 Exhibition Flyer w Image

Eden3 Exhbition Press ReleaseSM

Tar sands and restorative justice

April 3, 2013
Slick Sunset, N 57.14.07 W 111.35.15, Shell Albian Sands, Alberta, Canada, Louis Helbig, with permission

Slick Sunset, N 57.14.07 W 111.35.15, Shell Albian Sands, Alberta, Canada, Louis Helbig, with permission

Louis Helbig‘s talk on his project Beautiful Destruction yesterday afternoon at Edinburgh College of Art brought together some interesting elements: environmental destruction in remote northern Alberta, national economic benefits, the role of the arts, the relevance of this to Scotland, Jim Hansen’s arguments about tipping points in climate change, the need for civic discourse and the uses of restorative justice techniques.

Louis presented on the Alberta Tar Sands highlighting their scale both in terms of environmental and economic impact. The bitumen deposits, that constitute the tar sands, cover a surface area about the size of England. Their industrial development has absorbed about $300 billion investment over the past 15 years from virtually every country in the world with an active oil industry. Although the externalities of their development are largely unaccounted for, Canada has derived a massive economic benefit from the Alberta Tar Sands helping it to ride out the global economic crisis as an oil exporter to the world’s largest consumer, the United States.

Louis articulated his original interest in the Alberta Tar Sands in 2008 coming from his desire to see and record an industrial development that despite its size and evident importance in and influence on Canada’s society, culture and economy was hardly reported on in Canada’s media. The experience of flying, with his partner Kristin Reimer, over the workings was amazing both in its scale and its minutiae. In its detail and its dimension it readily lends itself to artistic interpretation.

Since his initial photography in 2008 (he returned in 2012 to photograph in winter) he has worked to learn about and understand what he photographed. Not only did the Canadian media not pay much attention to the tar sands but it was largely absent from Canadian political discourse. In 2008, already 10 years into the latest phase of development, almost all Canadian environmental NGOs were also absent. He described how what little debate there was until 2011, has been held captive to both regional divisions and parochialism and extreme polarisation. Following the explosion of tar sands as a political issue in the USA around the Keystone XL pipeline debate, the issue has finally found a place in Canada’s media. It is, however, still held captive to a polarisation of debate in Canada between the environmentalists and the industrialists.

Scott Donaldson, Portfolio Manager at Creative Scotland, reminded us that Jim Hansen,  recently retired Director of NASA’s Goddard Institute for Space Studies and one of the foremost scientists and more recently activists has specifically highlighted the development of Canada’s Tar Sands as a key indicator. Scientific American said this year,

His acts of civil disobedience started in 2009, and he was first arrested in 2011 for protesting the development of Canada’s tar sands and, especially, the Keystone XL pipeline proposal that would serve to open the spigot for such oil even wider. “To avoid passing tipping points, such as initiation of the collapse of the West Antarctic Ice Sheet, we need to limit the climate forcing severely. It’s still possible to do that, if we phase down carbon emissions rapidly, but that means moving expeditiously to clean energies of the future,” he explains. “Moving to tar sands, one of the dirtiest, most carbon-intensive fuels on the planet, is a step in exactly the opposite direction, indicating either that governments don’t understand the situation or that they just don’t give a damn.” 23 Jan 2013

Hansen’s argument makes Canada’s tar sands everyone’s business, but the issue of energy and land is one where Canada is only an extreme example.  This point was raised by Gemma Lawrence of Creative Carbon Scotland.  Harry Giles, Environment Officer for Festivals Edinburgh noted that there are a significant number of applications for open-cast coal currently before the Scottish Government, as well as numerous applications for major renewables installations. All of these, for better or for worse, are driven by our addiction to cheap energy, and politicians commitment to “keep the lights on.”

Louis kept emphasising the need for a civic discourse, rather than throwing stones at each other from extreme positions. There was a sense in the room that this was an unusual position for an artist to take. Are we more used to artists aligning themselves with environmental campaigners, than trying to open up a centre ground that enables all parties to engage in the discourse?

Louis kept returning to the experiences of speaking with individuals who worked in the industry, electricians or truck drivers rather than corporate executives, and how they, when faced with an artists’ representation of the beautiful destruction, articulated their own conflicted views.  He feels that the public interest would be much better protected if Canada’s public policy reflected the often conflicted and ambivalent views of those with a direct experience with the development.

Although it wasn’t raised in the formal discussion, the idea of restorative justice was also present, and perhaps needs to be explored. Kristin Reimer, Louis’ partner, is currently in Scotland to research restorative justice programmes in Scottish schools. Restorative justice is broadly speaking an approach that seeks to address the needs of both the victims and the offenders. It provides a space in which offenders, including those who have committed the most serious crimes, can be confronted by their victims. It is not a space of stone-throwing or media manipulation.

Given that we are all implicated in the self-destructive culture of cheap energy (even if energy doesn’t necessarily seem cheap in Scotland at the moment) do we not need the means by which to face each other, and talk about the problems, not as a soft option, but as a way to see that we all benefit economically from cheap energy and we all need to change our ways.

Thanks to Louis Helbig for his additional comments.

Banner

April 2, 2013

We’ve just updated our banner.  It’s a remix by Betsy Davis, who did it last year for ecoartscotland’s residency in Tent at ECA.  The colours are from the landscape of Lewis, where Betsy had been developing an installation in the landscape.

Information sessions | Imagining Natural Scotland

April 1, 2013

Imagining Natural Scotland, aiming to thoroughly think through the relationship between the arts and the natural environment, is holding a series of sessions which promise to be more interesting than the title suggests. Sessions are to encourage collaborations applying for the awards.

Each session will feature,

  • Detailed information on how to apply to the Imagining Natural Scotland fund.
  • A presentation, open discussion and Q&A on a particular aspect of Natural Scotland’s representation in the arts and popular culture; featuring guest speakers from both the environmental and creative sectors.
  • Time for networking and meeting potential collaborators.

For example Dundee feature presentations on cross-disciplinary collaboration from Tentsmuir Artist in Residence, Derek Robertson and Sophie Eastwood the Red Squirrel Project Officer for Fife Coast and Countryside Trust; Inverness will feature Professor Paul M Thompson and artist and composer, Mark Lyken, and curiously Oban will feature Professor Laurence Mee director of Scottish Marine Institute (SAMS) and the designer Daniel Mee.

Dumfries will feature artist, author and planner, Timothy Collins and Reader in the Institute of Geography, Emily Brady on why arts and humanities informed by science are uniquely situated to explore future imaginaries and potential virtues where nature is concerned.

From what we understand one of the key issues for the Imagining Natural Scotland team is that the visual arts (and applied arts?) are perceived to be very engaged with the environment compared to music, dance and poetry, though we’re certain that there are those that would dispute this perception.  The point is that visual and applied artists interested in this programme might want to partner up with other art forms.

Louis Helbig at ECA, 4pm on 2nd April

March 25, 2013

Helbig-poster-draft-1

ecoartscotland is pleased to announce that we will be co-hosting a talk by Louis Helbig, Canadian environmental photographer, at in the Main Boardroom (Level 5) Evolution House (corner of West Port and Lady Lawson Street), Edinburgh College of Art at 4pm on Tuesday 2nd April.  For more information, email r.maclean@ed.ac.uk.

Louis Helbig is a Canadian aerial art photographer and social commentator.  His best-known project, Beautiful Destruction – Alberta Tar Sands Aerial Photographs, uses the evocative power of art to create space for viewers to reflect, imagine and think for themselves.  He depicts one of the largest industrial projects of our time.

Also ongoing is Sunken Villages about what disappeared and has re-emerged; ten communities flooded by the St Lawrence Seaway in 1958.  That industrial project was the pride of the Commonwealth in its time.

Raised in rural British Columbia, Canada, Louis Helbig’s work is informed by the eclectic.  His background includes membership of Canada’s national cross-country ski team, several academic degrees, flying bush planes, and employment with various public agencies and government departments, NGOs and education institutions.  He left Canada’s Department of Foreign Affairs in 2006 to pursue art.


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