Archive for the ‘Artists’ Category

Tipping Point event London

June 18, 2013

Representing Uncertainty

Who: Academics at KCL and artists from the wider community

When: Tuesday 2 July 2013, 5:00-9:00 pm

Where: Pyramid Room, Strand Campus, King’s College London

TippingPoint, in partnership with the King’s Cultural Institute, is going to be holding a series of workshops that brings together academics from King’s College London with artists and other interested parties in the wider community. The aim is to explore particular subjects in depth, subjects which are of particular interest to the academics concerned, the artistic community, the broader public, and which also have a bearing on climate change.

We are delighted to announce that the first of these “Representing Uncertainty” will take place on Tuesday, 2 July 2013 from 5.00 to 9.00 PM, in the Pyramid Room (K4U.04, King’s Building, 4th Floor) at the Strand campus of King’s College London (see Building ‘A’ in the bottom map here).

Bruce D. Malamud, Professor of Natural and Environmental Hazards in the Department of Geography, will be presenting his perspective on the subject of how uncertainty can be represented, to be echoed by a presentation by an artist. The idea is to bring together scientific, artistic and other views on uncertainty in the world around us, so that different viewpoints might learn from each other.

This will be a working session, with plenty of opportunity for discussion in groups. It will also be very open-ended; if possible, Bruce is keen to pursue some form of scientific-artistic collaboration, and the possibility will certainly exist of applying for funding to support this under the KCI’s Creative Futures Programme.

This will certainly be an evening to attend if you are interested in the subject from an artistic perspective. Please let Yvonne Castle (yvonne.castle@kcl.ac.uk) know if you would like to attend. Drinks and nibbles will be served!

Carrying the Fire 2013

May 30, 2013

CTF logo

Dark Mountain “feels like the beginning of the story of the world. Not a world shaped by politicians
or by global corporations, but by storytellers and singers who make us feel at home on the earth.”
Charlotte Du Cann, The Independent

14th-16th June at Wiston Lodge near Biggar,
South Lanarkshire

An intimate festival of ideas, poetry, music, and performance.

Exploring the connections between the arts, ecology and cultural resilience.

With talks/performances from:

  • Jay Griffiths, author of ‘Wild’ and ‘Kith’
  • Sara Maitland, author of ‘Gossip from the Forest’
  • Chris Fremantle, ecoartscotland
  • Neil Harvey, GalGael Trust ‘Metaforestry’
  • Mairi Campbell & Em Strang

For further information go to: carryingthefire.co.uk
In association with The Dark Mountain Project and Wiston Lodge

Please download the flyer Carrying The Fire 2013 pdf and circulate

Second Sight/Site

May 29, 2013

The landscape as a context for second sight and prophesy.

Place-led methodologies of research reveal and inform our understandings of theories and practices.

Participants in the Second Sight and Prophesy Conference at the University of Aberdeen 14-16 June 2013 are invited to join a group of artists to explore land use, memory, topography, geology, nemetons, the Goodman’s Croft, sacred wells, stone monuments of various periods and other landscape features in preparation for the conference.

Artists include Arthur WatsonNorman ShawDavid Blyth, Nicky Moss, Kyle Noble with Chris Fremantle.

The tour will take place on Friday 14th June 2013 leaving Kings College, Old Aberdeen at 9am and returning 4.30pm in time for the conference reception.

Cost £60 per person payable in advance. This covers bus tour and a soup lunch.

Book here

Deadline for bookingWednesday 15th May 2013.  EXTENDED DEADLINE to Monday 10 June 2013

For further information please contact Chris Fremantle on chris [at] fremantle [dot] org or on +44 (UK) 7714 203016

Continuous Cover Forest Policy

May 13, 2013

Cathy Fitzgerald has just blogged about the The Green Party in Ireland who have just launched it’s Forest Policy (read the press release here).  This new Policy argues that

“Ireland’s public forests are at a point where, non clearfell, continuous cover forest systems need to be introduced and supported to fully realise the full long term economic, environmental and amenity values of Ireland’s forests.”

Helen Mayer Harrison and Newton Harrison would, we are sure, endorse this – it’s the sort of Policy that they were proposing in amongst other works, the Serpentine Lattice.

Military Pastoral Complex

May 11, 2013

Matthew Flintham coined the phrase “Military Pastoral Complex” for Gair Dunlop’s work.

Gair’s new book is photographs and a few texts from a long-term photography and video project documenting the slow closure of RAF Coltishall. Cold War and Battle of Britain mythologies combine. The roots of the Military Pastoral Complex are evident.

Get the book here.

Gair’s website: www.atomtown.org.uk

Collins and Goto conversation

May 10, 2013

LECTURE FLYERE

Su Grierson’s correspondence from Fukushima Province collected

April 25, 2013

Su Grierson has, with the assistance of Jan van Boeckel, collected her blogs from her residency in Fukushima Province in Japan which were posted to ecoartscotland.  She has added a lot of new images which did not originally feature.  The blogs describe her time meeting and living with people affected by the tsunami and nuclear meltdown.  Her visit took place two years after the event, but the consequences remain with the people on so many levels.

Ecoartscotland is pleased to include this collection as part of the ecoartscotland occasional papers.  There are hi res and lo res version available for download here: Su_Grierson_Corresponding_from_Fukushima_Province_Japan_hi_res Su_Grierson_Corresponding_from_Fukushima_Province_Japan_lo_res

Oil, photography

April 6, 2013

Following up on Louis Helbig‘s presentation at Edinburgh College of Art comes Suzaan Boettger’s review in Brooklyn Rail of three books of photography of oil landscapes, Burtynsky’s Oil, J. Henry Fair’s The Day After Tomorrow: Images of our Earth in Crisis, and Richard Misrach and Kate Orff’s Petrochemical America.

The review addresses the approaches of the three photographers and comments on their aesthetic and art historical context.  There is a larger piece of work which would encompass, for instance, the also important books by James Marriott/PLATFORM including Next Gulf: London, Washington and the Oil Conflict in Nigeria and The Oil Road: Journeys from the Caspian Sea to the City of London.

These books provide a counterpoint because rather than focusing on the visual in the context of the industrial, they narrate the relationship between the impact on the lives of people living with the oil industry and our lives in London, or Scotland, or wherever and how we are complicit through financial investments, whether that’s JP Morgan Chase or Royal Bank of Scotland.

Eden3: Trees are the Language of Landscape

April 5, 2013

Eden3: Trees are the language of landscape exhibition image

Exhibition – April 22 to May 25, 2013
Tent Gallery, in Art Space and Nature
Edinburgh College of Art
Evolution House (corner of Westport and Lady Lawson Street)
Edinburgh, EH1 2LE, Scotland
Phone: 0131 651 5800
Hours: Tues-Fri 12noon to 4:45PM or by appointment on Saturday.

The Collins & Goto Studio presents an on-going series of works with trees, including Eden3 an installation of trees and technology that provide an experience of photosynthesis through sound, and Caledonia: The Forest is Moving a series of expeditions and related inquiry about specific forests. The exhibition includes a brief overview of previous work from Pennsylvania and California to provide context for the current creative inquiry.

This work has evolved through collaboration with other artists, musicians, scientists and technicians. The exhibition is partially sponsored by Trilight Industries, Glasgow. Engineering support for the development of Eden3 is provided by Solutions for Research, Bedford. Special thanks to Helen de Main, Sogol Mabadi and Chris Fremantle.

Opening – Thursday April 25, 4 to 6 PM
Artist’s Talk – Thursday May 16, 4 to 6 PM

Collins and Goto will host an open discussion with friends and colleagues about their work and the role of art in relationship to a changing environment.
Space is limited please RSVP if interested in attending the artist talk rsvp@collinsandgoto.com

Eden3 Exhibition Flyer w Image

Eden3 Exhbition Press ReleaseSM

From Fukushima – Pt.7

March 24, 2013

I am now at Narita airport heading home with some final thoughts on my 10 week art residency in Fukushima province in Japan.

After my previous blogs Chris Fremantle asked me what is ‘normal’ in Fukushima. Well, that depends on whether you are a displaced person living for the last two years in temporary accommodation without full time work or proper family life, or whether you are a local Fukushima resident.

Blossom arrives in Tokyo.  Photo and permission Su Grierson

Blossom arrives in Tokyo. Photo and permission Su Grierson

Fukushima is a very large Province stretching more than halfway across the centre of Honshu, the main island of Japan, most of it being well away from the actual disaster area. For most people here, ‘normal’ is everyday life as it always has been, superficially not affected at all apart from the total downturn in the tourist industry and it’s related earnings issues. But underneath it there is a permanent change in their belief in their own National political and organisational systems and a much greater awareness of the fragility of life and of the value and importance of the environment. As a visitor you don’t access these feeling easily. The Japanese are not given to personal revelations so that when people do speak out you know their thoughts are important and deep.

Rice farming village.  Photo and permission Su Grierson

Rice farming village. Photo and permission Su Grierson

Recently we four artists were invited to a wine tasting by one of our English speaking supporters who owns a 7/11 convenience store and a wine store – which he admits to being mostly a hobby. Sitting in his warm and beautiful wine Kura and sampling great wines from around the world and a lovely meal produced by his wife, I eventually asked what his views were on the nuclear issue and the business pressure on Government to re-open the nuclear power stations. Surprisingly he said he had studied Nuclear Physics at University and that he had always supported Nuclear because although he understood the dangers he totally believed that his Government and the scientists would have fully evaluated all the important safety issues in implementing the programme. Now he has had to re-evaluate his position and has looked closely at the issues involved in expanding the use of fossil fuels. He now believes the long term danger to the planet is greater from fossil fuels. ‘What about renewables’ I asked and he admitted that in Japan this was hardly on the agenda and would take so long to get started that it seemed an unlikely way to solve their needs. He faces this as a personal dilemma that he like, I imagine, many millions more are wrestling with inside of their ‘normal’ everyday lives. But they feel helpless to influence things one way or the other.

Snow melting on rice fields.  Photo and permission Su Grierson

Snow melting on rice fields. Photo and permission Su Grierson

For the ‘refugees’ still without home and jobs, everyday life is filled with making origami, keeping their tiny homes in order, trying to get better compensation, undertaking part-time jobs if they are lucky and volunteering just to engage with their new communities and keep busy. For them I think ‘normal‘ is a dream for the future. They have no belief at all in a nuclear future.

In my last blog I mentioned that there was an electricity failure at the damaged Daiichi nuclear plant with a four day limit before critical heat was reached. The following day we learned that power had been restored. They still didn’t know the cause but suspected the main switchboard. The day after that, in keeping with their new commitment to transparency, they said that although they were still not certain of the cause they had found an electrocuted rat beside the main switchboard. I cannot think of words enough to make a further comment, but, I mean seriously, was it possible that a rat could gnaw through the cable of the electricity supply to a stricken nuclear plant cooling system – honestly?

So what are my personal feelings about Japan on this my most recent visit. As always, I see that the ability of the Japanese to set and run incredibly complex systems with amazing accuracy, like trains and luggage delivery systems is mind blowing.

Snow shoes with flip-up teeth. Photo and permission Su Grierson

Snow shoes with flip-up teeth. Photo and permission Su Grierson

Keeping the cones above snow level.  Photo and permission Su Grierson

Keeping the cones above snow level. Photo and permission Su Grierson

They have some of the most imaginative designs and systems imaginable, like the thermal water snow clearing systems I mentioned in an earlier blog, and the shoes that a technician at the Museum took off for me to photograph. They had tiny teeth in the heel that can be pulled out when walking on snow. These are just individual examples of the many small designs one comes across. But this is always countered by the opposite where at a personal level where no systems are in place: organisation and communication can fall apart with regular frustrating frequency. Another example would be the endless meetings I found so inconclusive and frustrating. These were explained to me as, ‘We are not trying to make decisions, we are just wanting to let everyone have their say – even if we ignore it later at least they feel they have been able to speak their mind.’ It is above all a country of contrasts.

Fukushima is also an area of beautiful landscape, with forested mountains, small villages and strong local culture, outstanding local produce and food and buildings.

But one thing shines through and that is the people, their kindness, generosity and willingness to help and support each other and we visitors. The small acts of kindness that happen on an everyday level here in Fukushima are what I will carry away from this country: the restaurant owner whose excellent restaurant we had visited several times who turned up un-announced at lunchtime on the final day of our exhibition with his family and a large bowl of hot Japanese soup; the construction company owner who dropped his work to take my friend, visiting from Tokyo, and I up the mountain on a glorious sunny day because she said she wanted to go and he said he loved the place so much that he regarded it as his pleasure to show it to us.

Fukushima Aizu rice farming area.  Photo and permission Su Grierson

Fukushima Aizu rice farming area. Photo and permission Su Grierson

Yesterday Yoshiko l and left Kitakata and went to catch the bus for Tokyo an hour away at Aizu Wakamatsu bus station. We were driven there by the daughter of our host because she had a bigger car for our luggage. And as we sat in the waiting room a lady we recognised came to meet us. She was a Refugee from a local camp who had come to one of our talks and to our exhibition. She heard of our departure and walked to the station to say goodbye.  She gave us each a bottle of water for our journey and thanked us for coming and for making a difference. For an artist there can be no greater thanks.

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Link to a video in which a Fukushima Town’s Sole Resident speaks out

 


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