Archive for the ‘Artists’ Category

A Time-Lapse Map of Every Nuclear Explosion Since 1945 – by Isao Hashimoto – YouTube

January 30, 2012

watch?v=856fWEltiXo&feature=related]

This was posted by Wendy Osher to the ecoartnetwork.org recently.

Japanese artist Isao Hashimoto has created a beautiful, undeniably scary time-lapse map of the 2053 nuclear explosions which have taken place between 1945 and 1998, beginning with the Manhattan Project’s “Trinity” test near Los Alamos and concluding with Pakistan’s nuclear tests in May of 1998. This leaves out North Korea’s two alleged nuclear tests in this past decade (the legitimacy of both of which is not 100% clear).

Each nation gets a blip and a flashing dot on the map whenever they detonate a nuclear weapon, with a running tally kept on the top and bottom bars of the screen. Hashimoto, who began the project in 2003, says that he created it with the goal of showing”the fear and folly of nuclear weapons.” It starts really slow — if you want to see real action, skip ahead to 1962 or so — but the buildup becomes overwhelming.

http://www.ctbto.org/specials/1945-1998-by-isao-hashimoto/

Opportunity: Wetlands in Taiwan

January 22, 2012

Artists from all countries are invited to send a proposal for a site-specific outdoor sculpture installation to be created during a 26-day artist in residency (April 11 – May 7, 2012) in Cheng Long, a small rural village near the southwestern coast of Taiwan in Kouhu Township,Yunlin County.

Cheng Long village view

This art project is an expansion of the 2010 and 2011 Cheng Long Wetlands International Environmental Art Projects, going into the Village as well as the Wetlands. The selected artists will work with elementary school children and community residents to create large-scale sculpture installations focused on the theme of “What’s for Dinner?”

Rumen Dmitrov, Flying Boats, 2010

The artworks should reflect on environmental issues surrounding food production and emphasize organic aquaculture. Artworks will be in village public spaces, on abandoned buildings, and in the wetlands nature preserve, and artists will use recycled materials and natural materials to create their artworks that will stay on exhibition through 2013.

Residency in Taiwan: April 8 – May 7, 2012

Selected Artists Receive: NT50,000 (US$1,662), round trip economy airfare, accommodations and meals for 26 days in Taiwan, local transportation, volunteer help to find materials and make the artworks.

Send the following by email to Curator, Jane Ingram Allen, allenrebeccajanei@gmail.com

  1. Description of your proposed sculpture installation giving estimated size and materials (1 page .doc or .pdf ).
  2. Sketch of your proposed work as a .jpg or .pdf file (less1 MG )
  3. Images and image list (title, date made, dimensions, materials/media, and where located) of 6 previous outdoor sculpture installations (6 .jpg files each less than 1MG in size)
  4. CV (.doc or .pdf file)
  5. Contact information: Name, Present Address, Nationality, Email address and Website (.doc or .pdf file)

Deadline: 8 February 2012.

For more info: http://artproject4wetland.wordpress.com

Roy Staab, Invasive Species, 2010

A PEOPLE’S PRELIMINARY HEARING ON MONSANTO

January 20, 2012

'listening to zea maize' from mid west radical culture corridor website

ANDANDAND made the following announcement through the dOCUMENTA (13) newsletter (who, it should be noted, added “dOCUMENTA (13) is not responsible for the views or factual claims expressed by the artists and artworks it presents.”.

“Our focus is on Monsanto’s role in transforming and damaging the ecologies, economies, and social relations of this region. Proceedings will unfold in several stages, and as the deliberation process builds, it will add to the accumulating record of harms perpetrated by this corporation against human and non-human bodies, food, biological processes, weeds, neighborhoods, farmers, alternative forms of knowledge, and finally the environment from which all these entities emerge.

Through this project, we challenge rigid categories of legal protection, and seek an ethics that protects life itself from coercion. We invoke the form of a trial to produce a comprehensive public understanding of harms, and to determine responsibility for those harms. Existing judiciary frameworks are inadequate to the scale and nature of the ongoing damages perpetrated by Monsanto, which, under current law, is granted the rights of a legitimate “person,” while human non-citizens and non-human agents in our biosphere are not recognized. Existing law produces exclusive notions of legitimacy and harm that ignore and damage entities that do not favor a reductive calculus of profit.

Our proposition is to consider all living things as potential plaintiffs in an accounting of Monsanto’s crimes. We submit to public review impacts that are experienced materially and culturally, in the past, the present and extending into our shared future. By expanding notions of legal standing and of legitimate harm, we assert our interdependence. The urgent question is: what will it take to safeguard the interlocked nature of the world against criminally reckless corporate priority?”

The first hearing will take place at:

Time: Saturday, January 28, 2012, 11 am
City: Carbondale IL; Chicago IL; Iowa City IA; others TBA
Country: USA
Location: 37° 43′ 35.11″ N, 89° 13′ 12.97″ W
Address: Lesar Law Building Courtroom, Carbondale

Midwest Radical Culture Corridor has undertaken a number of drifts with the likes of Temporary Services and Brian Holmes.  Their Call to Farms project and publication is inspirational.

DRIFT Call for proposals

January 18, 2012

DRIFT is the title of the fourth art in nature project of Rerun Productions Foundation. The Waterloopbos, the former Hydraulic Laboratory in Marknesse, the Netherlands, will host this contemporary spatial art project from May till December 2012. The project invites artists to send proposals which respond to the theme and to focus their idea on the special location of the exhibition, a curious combination of an industrial heritage site and forest.

Theme

DRIFT refers to our passion for change, transformation from old to new, from sea to land, from industry to nature, from basic to digital and back again. Drift cannot be directed, it is a primal force. It pushes us in a direction, it brings us something new.

DRIFT invites us to reflect on the impact of transformation; the impact of human interventions in nature, the disappearance of the old world and its replacement by a new one, and the possibilities that arise from that.

Location

The site where DRIFT will be located is an expression in a nutshell of a metamorphosis. The Waterloopbos (Marknesse, The Netherlands) is situated on a ”polder” (land conquered on the sea in the 1930s). It has been a hydraulic laboratory until 2001, where engineers experimented with scale models of harbours and estuaries to solve specific problems with currents, waves and mud flows. Nowadays the half overgrown, partly restored industrial ruins lie scattered in the forest.

Proposals

Artists are invited to send a concrete proposal for a spatial installation that can survive the conditions on site for at least 7 months (a public forest, the influences of nature). The choice of material is free, if harmless to nature.

Work period: 8 to 18 May 2012

Dismantling of the exhibition: after mid-December 2012

Proposals should contain:

- A project outline and project description (including use of materials and workplan)

- CV and documentation of previous work by the artist

Proposals can be sent only digitally in PDF format (up to 10 A4) to: proposalskunstbroedplaats@gmail.com

Deadline: February 25, 2012

The results of the selection by an expert jury will be announced 1 March.

Thanks to Jan van Boeckel for highlighting this.

COAL PRIZE 2012 – rural issues and farming

January 3, 2012

From the Project Coal website:

Schedule

Application deadline: February 12th, 2012
The Coal Prize will be awarded on March 15th, 2012

The Coal Prize Art & Environment rewards each year a project by a contemporary artist involved in environmental issues. Its goals are to promote and support the vital role which art and creation play in raising awareness, supporting concrete solutions and encouraging a culture of ecology. The winner is selected out of ten short-listed by a jury of well-known specialists in art, research, ecology and sustainable development

The 2012 Coal Prize will reward entries that focus on rural issues and farming. It gathers a wide range of stakes, such as: landscape changes, loss of biodiversity, intensive agriculture, heritage, access to land etc. Coal invites artists to reinvest and rethink these crucial topics, for a new approach considering complexity and complementarities of ecosystems.

The award of the 2012 Coal Prize will take place on March 15th, 2012 at Le Laboratoire, a private art center specializing in the blending of art and science.

The prize carries an award of 10 000 euros. Launched in 2010 by the French organization Coal, the coalition for art and sustainable development, the Coal Prize is supported by the French Ministry of Culture and Communication, the French Ministry of Ecology and Sustainable Development, the National Centre of Fine Arts (CNAP), Le Laboratoire, PwC and a private benefactor.

YATOO-i nature art in Iran

December 29, 2011

From Yatoo-i newsletter:

Ko, Seung-Hyun, Hur Kang and Jeon, Won-gil (YATOO-i members) and other Korean artists Ryu, Shin-jung(Installation) Yu, Zie-sook (Vedio), musician An, Jung-hee (Gemoongo) participated in ‘Iran Nomadic Residence Program’ supporting Arts Council Korea from 19th 11 to 5th 12. 2011. We joined 12 Iraian Artists and work together in Masouleh in Iran and had an exhibition in artist’s house in Teheran.

There are images of artists projects and exhibition on the Yatoo-i website.

Social license to operate

December 27, 2011

BP is definitely splashing around the cultural sponsorship – there has been press coverage of the £10 million to cultural majors

in London, and now they are also sponsoring the Cultural Olympiad.

Art Not Oil want artworks for an online exhibition.  Send them before the end of February.

How do you illustrate complexity?

December 14, 2011

Declaration of the Occupation of New York, 2011, Rachel Schragis (links to interview)

Artist Rachel Schragis created the Flow Chart of the Declaration of the Occupation.  The media keep criticising the occupation movement for not having a clear message.  That’s the media’s problem (always wanting to simplify everything, one message).  What Schragis has done is capture the complexity of issues underpinning questions of social and environmental justice.  She has succeeded in representing unintended consequences.  She has mapped the externalities associated with corporate greed.  The work below addresses the personal version of these challenges.

My Attempts at Being Green, Rachel Schragis

Heath Bunting explores issues of identity and also uses flow charts and diagrams in his STATUS project.

TippingPoint Newcastle

December 13, 2011

Image from Tipping Point web site

Tipping Point have announced their next gathering and have an open application procedure for some places for artists and academics.

“TippingPoint, in partnership with Newcastle Institute for Research on Sustainability (NIReS), will be holding a major national gathering of those concerned with the interface between the arts and culture on one hand, and environmental issues, particularly climate change, on the other.

Our aim is to continue and strengthen the vital process of giving the urgent challenges of climate change and sustainability a cultural and artistic voice.  This will be a rare opportunity to step outside day-to-day work and engage with innovative peers from across many disciplines, using presentations, panel discussions, group exercises and creative projects.  Our ultimate aim is to help stimulate radical and imaginative thinking in wider society, as we all attempt to comprehend, mitigate and prepare for our inevitably changing environment.”

US town to turn drainage basin into public art

December 10, 2011

Minnesota Public Radio recently reported that Jackie Brookner is advising and supporting the inhabitants of the City of Fargo in North Dakota on a major ecological art project funded in part by the National Endowment for the Arts.  The focus of the project is making use of a drainage basin, built to deal with heavy summer rains, as year round facilities for the community.

image from Jackie Brookner's page on the Women Environmental Artists Directory

There’s an interview with Brookner on the NEA blog and if you prefer listening to reading, you can hear her on the Social Practices Art Network.

In the UK Chris Drury’s Heart of Reeds in Lewes, West Sussex, is probably a comparable project.  This constructed environment remediates industrial pollution whilst providing recreational space and managing rain water.

image from Heart of Reeds website


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